Marshall McLuhan Quotes
Q: Do you feel a need to be distinctive and mass-produced? Q: Are you in the groove? That is, are you moving in ever-diminishing circles? Q: How often do you change your mind, your politics, your clothes? (p. 121-125)
Quotes to Explore
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Your ability to use the principle of autosuggestion will depend, very largely, upon your capacity to concentrate upon a given desire until that desire becomes a burning obsession.
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I'm interested not just in projects that I'll be starring in, but producing film and TV that's really quality and great for adults; and when I say 'great for adults,' it doesn't mean without humor, because I'm also interested in doing comedy.
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Speech happens to not be his language.
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I remember the first time I stepped into the ring at age 16. I loved hitting things... but who likes getting hit?!
Mandy Bujold -
Metaphysics is a dark ocean without shores or lighthouse, strewn with many a philosophic wreck.
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I am interested in the idea of 'taste.' And by 'taste,' I mean opinion, inspiration and the craft of creating a personality through fabric and design.
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Winning the peace is harder than winning the war.
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You can tell if you're going to be into a script within the first five or ten pages - if I'm not completely engaged by page 20, I just have to give up on it.
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I was deep in the zone of practicing almost constantly.
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Bureaucracy kills people's ability to try new ideas.
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I wasn't going to make a slick, glossy over-produced piece of entertainment because then I would be doing what the Capitol did. Then I'm actually putting on the Hunger Games and not making a movie of the 'Hunger Games.'
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I have absolutely no empathy for camels. I didn't care for being abused in the Middle East by those horrible, horrible, horrible creatures. They don't like people. It's not at all like the relationship between horses and humans.
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I pretty much make time for that weekly manicure.
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I haven't been to a movie since somebody gave me free tickets to Star Wars, which I went to.
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When you're trying to paint a portrait of a very specific world, you're trying to show what makes the world different. So, sometimes it means exaggerating certain kind of aspects, but I don't think it's that important or it's that much of an issue as long as you get an emotional truth across.
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So many good fortunes have come my way, and I'm trying to pay it forward by helping to raise money to complete 'Bulbul: Song Of The Nightingale,' a documentary that brings attention to the social and human injustices suffered by the Banchara tribe in India.
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In a way, it's good not to be recognised as much off screen.
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Whatever I have done so far has led me to 'Kaabil.' It is a big opportunity for me to establish myself more commercially. It is a huge platform.
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Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
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I'm a Reagan Republican, which means I don't speak ill of other Republicans.
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The Zionist movement gave political expression to our claim to the land of Israel. And in 1922, the League of Nations recognized the justice of this claim.
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I don't fixate on other people's opinions of my body.
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For me, there's nothing sexier than a woman who can argue me into the ground and outsmart me... a woman who knows her own mind and isn't afraid to speak it.
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Q: Do you feel a need to be distinctive and mass-produced? Q: Are you in the groove? That is, are you moving in ever-diminishing circles? Q: How often do you change your mind, your politics, your clothes? (p. 121-125)
