Kristin Lehman Quotes
The only way to really portray a character and tell a story well is to be flexible internally. And one of the ways we're blocked as actors is being aware of where our bodies are carrying tension.
Quotes to Explore
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A rolling stone gathers no moss, but it gains a certain polish.
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I love being a woman and I was not one of these women who rose through professional life by wearing men's clothes or looking masculine. I loved wearing bright colors and being who I am.
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I eat lots of vegetables and green juices.
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Los Angeles is peopled by waiters and carpenters and drivers who are there to be actors.
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Necessity makes even the timid brave.
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I'm a real common sense guy who caught a lot of good breaks and who has been very, very fortunate.
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I just love France, I love French people, I love the French language, I love French food. I love their mentality. I just feel like it's me. I'm very French.
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The pace of innovation may slow down or speed up depending on the appetite in the public markets, but the constant progress of technology doesn't really ever stop. There's always opportunities for new ideas and creative people to go build great things. I'm always interested in learning about those kinds of opportunities.
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When I was little, we had a Golden Book that had all these Disney characters in one portrait on the first page. My dad used to read from it every night. We'd play this game of find Pluto or find Donald Duck. He'd read us stories and do all the voices. Those are great memories.
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I did every job under the sun from bartending to ushering to temping.
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None of our series are ever static in terms of the dates. We always have a range of flexibility to respond to whatever may or may not happen.
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Everything in life has a price on it - there ain't a damn thing free in America, and football has got a price on it.
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Workplaces still operate like it's 1962 and one person is always at home, and they are not very good at adjusting for the fact that a majority of women work and take care of children.
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America is the only country that went from barbarism to decadence without civilization in between.
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Even as a kid, I was a businessman. I figured out that if you plucked all the berries off my neighbor's tree and smashed them up, they made a Nickelodeon Gak-type consistency. I sold them to all the neighborhood kids and made stacks of quarters. Of course, the berries were poisonous, and I got in all types of trouble.
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Gran Metalik was a student in CMLL when I was there as a teenager, and I was in main events and big time matches, so I used to see him in the gym all the time.
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Jazz has been such a force in music, that any musician, including classical composers, have been influenced, and obviously performers, also.
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Many of you might already recognize me as the guy in the question-mark suits appearing in the late night TV commercials and on the cover of educational books and CDs.
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Direct experience is the evasion, or hiding place of those devoid of imagination.
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I am not one of those actors who believes he has to live the part he is playing. I can turn it on and off.
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Preparation is definitely important, but it depends on the kinds of roles I do. Like, I completely identify with my character in 'Yeh Jawaani Hai Deewani.' I had to be myself and I didn't have to actually prepare for it.
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The calamities of tragedy do not simply happen, nor are they sent; they proceed mainly from actions, and those the actions of men.We see a number of human beings placed in certain circumstances; and we see, arising from the co-operation of their characters in these circumstances, certain actions. These actions beget others, and these others beget others again, until this series of inter-connected deeds leads by an apparently inevitable sequence to a catastrophe.
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The only way to really portray a character and tell a story well is to be flexible internally. And one of the ways we're blocked as actors is being aware of where our bodies are carrying tension.
