David Shields Quotes
We're completely confused about the boundaries between fiction and non-fiction. To me, the moment you compose, you're fictionalising; the moment you remember, you're dreaming. It's ludicrous that we have to pretend that non-fiction has to be real in some absolute sense.

Quotes to Explore
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Always remember that the most important thing in a good marriage is not happiness, but stability.
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Real education enhances the dignity of a human being and increases his or her self-respect. If only the real sense of education could be realized by each individual and carried forward in every field of human activity, the world will be so much a better place to live in.
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I have to remember for every kid saying something awful, there's a kid saying something great.
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We're not that much smarter than we used to be, even though we have much more information - and that means the real skill now is learning how to pick out the useful information from all this noise.
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Growing up in San Diego, I can remember going with my brother to see bands like Pennywise and NOFX - good punk bands that were fast and tight.
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I think the Mama people remember is from 'Mama's Family.' She really turned into a pretty cool character. The sketches from the 'Burnett' show, if people are old enough to remember, were written by writers who all hated their mothers.
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Remember, if you want to love your life and live it to the fullest, don't let the sun go down on your anger. If you don't have a solution to the issue, agree to disagree and focus on the importance of the relationship.
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I knew the profanity used up and down my street would not go over the air... So I trained myself to say 'Holy Cow' instead.
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I've been in the public eye so long, I can't remember how it was when it was different - from my mid-20s onwards, when my career started to blossom and I became an international, world cups and things.
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My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
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All's the government should do is keep the taxes and regulations at a manageable rate, keep a decent standing army and get out of the way.
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You need to feel that the game is important to you. Lose that feeling and you lose your edge. There's no faking that kind of emotion. You can't invent the feeling. It's got to be natural, real.
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I always say that the real success of Wine Library wasn't due to the videos I posted, but to the hours I spent talking to people online afterward, making connections and building relationships.
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The real being of language is that into which we are taken up when we hear it - what is said.
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You must acquire the habits and skills of managing a small amount of money before you can have a large amount. Remember, we are creatures of habit and, therefore, the habit of managing your money is more important than the amount.
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I think the real problem is that nobody buys albums anymore, so you don't get the depth of the artists that are out today. What you get is whatever they felt is politically correct to get on there and actually make some impact. I think that's where you're losing your depth. You're only getting the very top of everything. It really bothers me.
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I think we all remember Emma Peel from 'The Avengers,' the feminist icon that she was in the late '60s.
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I think at Le Cirque I learned how to make real food, which is what people crave, not just gimmicky things on a plate.
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The thing about a music career is that it ain't over until the fat lady sings. Look at all the times people threw in the towel on Dylan - or Neil Young. Remember when Young was doing things in the '80s like 'Trans' and the rockabilly album and being completely lambasted by critics who now think he is wonderful again?
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Everyone else in the world still thinks of American food as ketchup.
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The inequality between CEO compensation and the compensation received by workers and stockholders has grown to such an extent that it endangers our economy and and our society.
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Fame puts you there where things are hollow.
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When you face your fears, you are free of them. There's nothing in the world I need to hide from again.
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We're completely confused about the boundaries between fiction and non-fiction. To me, the moment you compose, you're fictionalising; the moment you remember, you're dreaming. It's ludicrous that we have to pretend that non-fiction has to be real in some absolute sense.