David Shields Quotes
Immanence, or complicity, allows the writer to be a kind of shock absorber of the culture: to reflect back its 'whatness,' refracted through the sensibility of his consciousness.

Quotes to Explore
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I never even held a guitar until I was 23 and living in California, but then loved it. I'm really not an accomplished instrumentalist. Maybe that has something to do with why I write and sing.
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I'm an optimist about other people. I'm not an optimist about myself.
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I can work in films as long as the story doesn't have a realistic nature. If I'm working with an allegory, a fantasy, it can be developed in synthetic terms.
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I get breakfast when everyone else is on their lunch break. I usually go to Dimes, which is a short walk from my apartment. Usually, I'll have chia pudding or an acai bowl and toast and sausage.
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The world does not look to us in the Arab world out of a healthy desire for knowledge.
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We human beings are humane in part because we can look beyond our biology.
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I have to say that getting to tackle Maria in 'The Sound of Music' at Carnegie Hall was surreal. When I heard my voice, it was all I could do to keep myself from doing a British accent and sound like Julie Andrews!
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Not long ago I made a list of Doc Ford books I would like to do, and I came up with 11 pretty easily. I like to let the characters go their own ways and see what happens. I find them fascinating.
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Political theatre presents an entirely different set of problems. Sermonising has to be avoided at all cost. Objectivity is essential. The characters must be allowed to breathe their own air. The author cannot confine and constrict them to satisfy his own taste or disposition or prejudice.
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I'm really interested in playing my age.
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Hard power makes sense under some circumstances. But there's not a universal solution to global problems.
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All I held against Jews was that so many Jews actually were hypocrites in their claim to be friends of the American black man.
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I didn't really enjoy school in general.
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I don't like reality shows and have never watched them, but I'm addicted to 'Real Housewives' because it's authentic old-time soap opera reborn!
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I look at my music in the beginning, and the sexual songs, the partying songs, those are the realities because those things happen.
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I'm very passionate.
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Our comedies are not to be laughed at.
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When you have to get into the character each morning, give it your voice, your face, it was torture.
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The culture of any country is gauged first by its progress in art.
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'Dreams from My Father' was not a memoir or an autobiography; it was instead, in multitudinous ways, without any question a work of historical fiction.
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For me, one of the great tragedies is the conclusion studios have drawn about traditional animation. I believe that 2D animation could be just as vital as it ever was. I think the problem has been with the stories.
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Being a lazy parent and letting your kid watch stuff that's not appropriate for their age is one of the bigger mistakes you can make.
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Immanence, or complicity, allows the writer to be a kind of shock absorber of the culture: to reflect back its 'whatness,' refracted through the sensibility of his consciousness.