David Tennant Quotes
Getting the call to be in The Goblet of Fire was like being welcomed into the most exclusive upper circle of some elite actors' club. You sit on set with the cream of the National Theatre and the RSC, all clutching wands or wearing witches' hats.
Quotes to Explore
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I usually say I left puberty at 58.
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What makes me happy is the appreciation of people around me.
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If you needed to borrow a cup of sugar, you knocked on your neighbour's door.
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I wanted to go to college and play football.
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If you have multiples of anything, you have the possibility of repetition. Repetition creates pattern and also unity. Put anyone in a room with a pile of similar objects and say, 'I want a pattern by 3 P.M. or no dinner.' Anyone would come up with a design. It is easy, fun and available to anybody. Most people just don't have the nerve.
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The power of Twitter still never ceases to amaze me.
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I love the look of full brows that aren't perfectly done - eyebrows on fleek: that's the goal.
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How many inner resources one needs to tolerate a life of leisure without fatigue.
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The only way reliably to gauge the heat of any particular chilli is to cut it in half, so exposing the core and membranes, and to dab the cut surface on your tongue.
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I really believe great actors, even with disease and age, can be great.
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When I get into the studio, I write from my heart.
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There is no ideal body. It's just taking what you have and working it.
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It's something that I do every year - every Ramadan to be exact - taking an 18-hour flight back home to Malaysia from Los Angeles. I'm born and raised in Malaysia, and Ramadan and Eid has always been my favorite time of the year.
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I'd love to live in Ireland but I'd like to live as me, not what someone thinks I am. People don't understand - I lived there before I was famous.
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But the Wisdom of God, which is His only-begotten Son, being in all respects incapable of change or alteration, and every good quality in Him being essential, and such as cannot be changed and converted, His glory is therefore declared to be pure and sincere.
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I read a lot of highly unsuitable books for an 11-year-old. I was desperate to read as widely as possible. I thought, 'There are so many places I am never going to get the chance to visit, but I can if I read them.' And I did. I could go anywhere in the world - and off it - by reading.
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What have we achieved since the end of the Second World War? We have allowed petty, bourgeois regimes in which everything is average, mediocre.
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Hospice is such a tremendous thing. Patients seem to reach an inner peace.
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Jealousy is the fear or apprehension of superiority: envy our uneasiness under it.
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I've started painting much more freely, and faster. I think it's working in the theatre that did it. You know what the Glyndebourne scene-painters said about my The Magic Flute? They said they had to wear sunglasses to paint it.
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The element of fire to me is very powerful because of what it symbolizes, how it symbolizes a strength. It symbolizes something that's unstoppable. You can't get through it, you know.
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We can never totally return to the indefensible pre-1967 borders, ... We simply cannot afford to make Israel 14.48 km (9 miles) wide again at its center. We can't allow the Palestinians to be a couple of [miles] from [Tel Aviv's] Ben-Gurion Airport in the age of shoulder-fire missiles with the capacity to shoot down jumbo jets. But that doesn't mean we must remain in every corner of the West Bank or in Gaza, where fewer than 10,000 Jews, living next to 1.3 million Palestinians, have been protected by twice as many soldiers.
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To young to hold on and to old to just break free and run.
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Getting the call to be in The Goblet of Fire was like being welcomed into the most exclusive upper circle of some elite actors' club. You sit on set with the cream of the National Theatre and the RSC, all clutching wands or wearing witches' hats.
