Grace Martine Tandon (Daya) Quotes
I would love to collaborate with Chance the Rapper. I love his lyrics and his sound and everything.
Quotes to Explore
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Our duties and responsibilities as human beings must be shown to be so incontrovertible that even atheists must recognize them. There are ultimate taboos.
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From the day he took office, President Obama has been open to any good idea when it comes to the budget, as long as supporting middle-class families remains our North Star. Republicans won't extract concessions over the full faith and credit of the United States.
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College ain't so much where you been as how you talk when you get back.
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I think any artist that's going to become anything in this world faces humility: with great humility comes great success.
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I go to all these photo shoots, and each time I figure out something new about myself and what I want to wear.
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Don't try to be like somebody else. You'll be miserable. You need to be yourself, and don't ever get a big head.
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The fact is that surveys which media people openly admit to show that fewer than twelve percent of their customers believe they're doing a good job, while the average profit margin in television is in the neighborhood of eighty percent.
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When I was a teenager, reading for me was as normal, as unremarkable as eating or breathing. Reading gave flight to my imagination and strengthened my understanding of the world, the society I lived in, and myself. More importantly, reading was fun, a way to live more than one life as I immersed myself in each good book I read.
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When you look at where the Democratic field is going relative to foreign policy, they are increasingly moving away from a policy of pre-emptive self-defense that the president has adopted since September 11.
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Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.
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When I was growing up, it was so embarrassing to be from Jersey.
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I don't get hung up on weight.
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I try to write life and not songs. People live life, and when you write life, you're going to mess around and touch somebody's heart, and they'll relate to you and what you're singing about.
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Basically, my mother couldn't hold a tune and when I was a baby, a rather tactless baby, I would ask her not to sing... you can't get to sleep if someone is singing off key nearby.
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For research, I like to go to the location of the places in the novels. The first thing that I do is involve my senses: I notice the smells; I open the trash cans and look at what people have thrown away.
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I was in my mid-teens when someone gave me a copy of 'Pears Encyclopaedia of Myth and Legends' as a birthday present. It sat on my shelves for many months before I looked at it. When I did, I couldn't stop reading it.
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You can't teach the old maestro a new tune.
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Mums ask me how to get their husbands off the couch as well as asking me to marry them. But kids ask me to get their mums and dads to play with them more as well.
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I wrote 'The River' practically trying to rip off every lick that James Taylor had, so it was neat to hear him sing those lyrics because that's who inspired you to write them.
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On 'Check Your Head' and 'Ill Communication,' most of the lyrics are much more, 'OK, you take that, and I'll say that' - they're split up.
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Rap music is amazing, it's beautiful. But the problem is the lyrics. The person who writes the lyrics - that's the problem.
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The way Jacques Brel writes a story, getting into the character, bringing out all his faults and qualities in the same song.... Not that I could ever write in such an epic way, but it really is a different way to go about writing lyrics...and I find that quite inspiring.
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As cheesy as it sounds, all my eggs were never in just one basket. I had a thousand baskets going on.
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I would love to collaborate with Chance the Rapper. I love his lyrics and his sound and everything.
