Billy Collins Quotes
When I discovered the lyric poem, that advanced not by narrative steps but by blocks and layers of imagery, I said, 'Gee, I probably could do that. So let me try that.'
Quotes to Explore
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The virtues of the blockchain is that it would be that it's peer-to-peer settlement - no centralized settlement, no manipulation... And most importantly, there's nothing to capture. It's consensus based. It's stateless.
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I've always believed that a good twist is one that, when it is presented to the audience, half of them say, 'I saw that coming.' And half of them are completely and totally shocked. Because if you don't have the half that saw it coming, then it wasn't fair: You never gave the audience a chance to guess it.
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Hear the other side.
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Art was what I originally started out to do and music came second at first. I had a year at art college but I left because it was too much like school. I give all my paintings away to people I like.
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Knowing whether or not one can live without appeal is all that interests me.
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All history consists of successive excursions from a single starting-point, to which man returns again and again to organize yet another search for a durable scale of values.
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I love making music, though. I love playing.
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I'm trying to see what way I could lead so when the opportunity comes, it won't just hit me in the face.
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You learn a lot about people when you're sitting on their bathroom floor or on their toilet seat, rifling through their stuff.
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The science supporting the relationship between carbohydrates and dementia is quite exciting, as it paves the way for lifestyle changes that can profoundly affect a person's chances of remaining intact, at least from a brain perspective.
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It's amazing - you know, you just look up, and you say, 'Wow, that's amazing.' It's 25,000 people only on one side, so of course you enjoy it. Every time when you go on the pitch, it's just crazy. They know when we need some energy; they have a button, so it's perfect. But you feel it; you feel it, of course.
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My marriage to David Bailey ended one morning in 1983, while he was away on a photo-shoot.
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One of the biggest challenges of writing for middle-grade or even young-adult readers is that I don't want to have too much violence in it - which really limits what you can do. It's important that they're not just bloodbaths or glorifying violence. I always try to show that a person who dies leaves a hole. There's grief in my books.
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I don't have any control over the offers that are going to come to me or not come to me. But I can't go backward, and so that's what's tricky.
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A lot of great medicines and ancient therapies are blocked by the FDA, so that's why I choose to travel and recognize the value of diverse points of view in medicine.
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Whenever I was with Kevin Pollak, I had to leave the room.
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The slogan 'Never Again!' that emerged after the Holocaust implies that the Holocaust has a universal moral meaning, which, if properly learned, can provide at least a theoretical prophylactic against its repetition against anyone.
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The people I've encountered who are really dangerous in my life don't go around with their fangs drawn - they are dangerous because of the way they interpret what's going on.
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When I wished to sing of love, it turned to sorrow. And when I wished to sing of sorrow, it was transformed for me into love.
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Those folks at Death Row were the Rolling Stones of their time.
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Going into 'Details' magazine to pitch concepts for a potential photo shoot was one of the most nerve-wracking things I had ever done. I didn't really know what one did in a pitch, how they were structured, etc., and that freaked me out big time.
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When I started writing songs for Temple of the Dog, I went to my room with my acoustic guitar, and I was happy staying in that mode. It was more chordal based and more lyric driven. I enjoyed not making riff-based songs built around a guitar idea.
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I was half asleep lying there writing this lyric in my head at about 3:30 in the morning. I woke Steve up with this idea and then we went into the living room where there was a little upright piano and finished the song. I wonder where that piano is now?
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When I discovered the lyric poem, that advanced not by narrative steps but by blocks and layers of imagery, I said, 'Gee, I probably could do that. So let me try that.'
