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Cummings' career as a writer - and a painter - was as wobbly as his love life. He tried his hand at playwriting, satirical essays, and even a dance scenario for Lincoln Kirsten.
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I don't think anybody reads a book of poetry front to back. Editors and reviewers only. I don't think anybody else does.
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I first came across 'The Lake Isle of Innisfree' in college, with other anthologized poems by Yeats.
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I think my poems are slightly underrated by the word 'accessible.'
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I have my Poetry 180 project, which I've made my main project. We encourage high schools, because that's really where, for most people, poetry dies off and gets buried under other adolescent pursuits.
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When I write, I'm not trying to be funny. It's the way I look at the world.
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I don't write for an auditorium full of people. I don't write for the microphone; I write for the page.
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I'm pretty much all for poetry in public places - poetry on buses, poetry on subways, on billboards, on cereal boxes.
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When I discovered the lyric poem, that advanced not by narrative steps but by blocks and layers of imagery, I said, 'Gee, I probably could do that. So let me try that.'
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The obituaries shot up to the top of my list when I discovered Robert McG. Thomas, the 'Times' obit writer who redesigned its traditional form and added a measure of stylistic elegance.
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I'm easily frightened, and I've also come to realize that old Catholic guilt or remorse is easily stimulated.
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Emily Dickinson seems rather tame because she pretty much uses the same meter every time. It's called 'common meter.' It's a line of four beats that's followed by a line of three beats.
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Discovering Samuel Beckett in college was a big deal for me. I realized you could be very funny and very dark at the same time.
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I'll listen to anything authentic whether it's bluegrass or gospel or blues.