Billy Dee Williams Quotes
I want people to see my heart, what I feel - not as one of America's best black actors but as one of the best actors.
Quotes to Explore
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I'd like to one day be featured on a list of inspirational people who have made a difference in the world, whether it be helping underprivileged people or putting an end to the poaching of wildlife in Africa.
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People in love don't see gender, colour or religion. Or age. It's about the other person, the one that you love and who loves you. You don't think of them in terms of a label. You just go with your heart.
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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The more people pointed at me in scorn the more stubborn I got and when they began calling me the Bad Girl of West Seattle High, I tried to live up to it.
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Don't get me wrong: there are some fantastic people who work at British Cycling who kept me together, who were there when I was struggling with it all. They were walking the same tightrope in many ways, because if you do speak up, your days are numbered.
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It really bugs me the way people criticise how actors look. We're not models. Models exist.
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The reader is going to imprint on the characters he sees first. He is going to expect to see these people often, to have them figure largely into the story, possibly to care about them. Usually, this will be the protagonist.
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Red Dust was about the late 1980s; it was a time of burgeoning hopes and opening up and people searching for new ways.
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America's growth historically has been fueled mostly by investment, education, productivity, innovation and immigration. The one thing that doesn't seem to have anything to do with America's growth rate is a brutal work schedule.
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I do get recognized, but I must say Edinburgh is a fantastic city to live if you're well-known. There is an innate respect for privacy in Edinburgh people, and I also think they're used to seeing me walking around, so I don't think I'm a very big deal.
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You know, people call mystery novels or thrillers 'puzzles.' I never understood that, because when I buy a puzzle, I already know what it is. It's on the box. And even if I don't, if it's a 5,000-piece puzzle of the 'Mona Lisa', it's not like I put the last piece in and go, 'I had no idea it's the 'Mona Lisa'!'
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We tend to think of extremes of emotions as registering, for example, you have to cry or laugh or get angry. But for the most part, we find it difficult to read each other most of the time. If you walk through the street, most people are pretty difficult to read. But they're thinking inside.
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The fact is, funnily enough, that the people who seem to be most committed to causes also seem to be least invested in anyone actually talking to each other.
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I was the one who was always calling people.
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They call people who love London 'Anglophiles' and people who love France 'Francophiles.' I'd be the New York version of that.
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It is important not to trust people too much.
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I don't think people understand the model-minority stereotype is negative. You are boxed in. You have to untangle that to find your own path.
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So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.
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I care a lot about Heart; I was there at the inception of Heart.
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Michael and I talk at least every two weeks. He understands why I've done the things I have.
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Contrary to public opinion and the image people have of me, I grew up in a very lower-middle-class, blue-collar environment 40 minutes outside of New York until I was 11.
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And rather impressive – I want to be bourgeois and ask how you find time for five children, a husband and a lover?
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I want people to see my heart, what I feel - not as one of America's best black actors but as one of the best actors.
