Pamela Druckerman Quotes
One of the many problems with parenting is that kids keep changing. Just when you're used to one stage, they zoom into another.
Quotes to Explore
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The thing about Y Combinator that's cool is that most companies won't happen if we don't fund them.
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People more than ever since I can remember are concerned about being out of step and out of line with their political party and won't cross over. There is nobody, man or woman, who wants to be left out, and people are fearful of that. People are fearful of their leadership as well.
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One of the issues I kept saying to my students is you have to learn to interrupt. When you raise your hand at a meeting, by the time they get to you, the point is not germane. So the bottom line is active listening. If you are going to interrupt, you look for opportunities. You have to know what you're talking about.
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Why would Senator Allen want to oppose saving money for the state? It's simply another example of Republicans fighting the governor tooth and nail against any measure where she might be able to turn the state's budget around.
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I'm always nervous when I start a new picture.
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As Governor, I've worked to solve problems the New Hampshire way - bringing together Democrats, Republicans and Independents to help hard-working Granite Staters adapt to our changing economy so that everyone has the opportunity to get ahead and stay ahead.
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In my lifetime, Mitt Romney is the most qualified leader I've ever seen run for the presidency of the United States.
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Being in a wheelchair for 30 years. I'm not whining about it because I don't dwell on things I can't do anything about, you know. I never really think about until somebody mentions it. I did take a bullet.
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If you learn one thing from having lived through decades of changing views, it is that all predictions are necessarily false.
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All personal achievement starts in the mind of the individual. Your personal achievement starts in your mind. The first step is to know exactly what your problem, goal or desire is.
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Fame is a delicate and dangerous creature; I saw people who didn't honor it, who refused to take responsibility for it, get destroyed by it. I also saw that stardom in and of itself was empty.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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Probably I understand very much the people who rise against injustice.
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I always like to look on the optimistic side of life, but I am realistic enough to know that life is a complex matter.
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There are a lot of new opportunities that are poking their head up in my future. I've been very fortunate that way, but for right now, what I like is what I'm doing.
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I was fourteen, watching 'The Princess Bride' for the 254321th time, captivated by Wesley and Inigo dueling on the cliff-top. I had never held a sword in my life, but I phoned my mum and said, 'I want to learn to fence!'
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My operas usually come from musical ideas rather than ideas about subject matter.
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I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
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I think sometimes when you play those extra shifts, it gets you into the game a little bit more and gets you a little bit more involved.
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To have that opportunity to direct under my belt was fantastic, so I'm glad I did it.
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Last tour my bass rig was breaking down every other night. That was a pain. We would get on stage and Trey would count off the song, and I'd play the first note and nothing would be there. Those guys would just roll their eyes.
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It's true in the beginning I started playing villains, and I think that's pretty clear, because if you don't conventionally look a certain way and you've got a certain kind of presence when you're young, then what's available to you is character roles, and the best character roles when you're young tend to be villains.
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The way we're attached to our phones these days, they buzz and twitch in our pockets, and we have to look and see if it was a text, a voicemail, or an e-mail. We're almost like lab rats. I tried to eschew the whole cell phone theory until I had kids; then, I had to be reachable at all times.
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One of the many problems with parenting is that kids keep changing. Just when you're used to one stage, they zoom into another.
