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I grew up in an era of thinking of travel as escape. The idea that you could conceivably have a new life, go somewhere, fall in love, have little children under the palm trees.
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People talk about the pain of writing, but very few people talk about the pleasure and satisfaction.
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A gun show is about like-minded people who feel as if everything has been taken away from them - jobs, money, pride.
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Television cannot film corruption. Television cannot spend five days on a rattling railway train, talking endlessly. Television needs excitement, it needs an angle, it needs a 'sound bite.
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Writing was in my mind from the time I was in high school, but more, the idea that I would be a doctor. I really wanted to be a medical doctor, and I had various schemes: one was to be a psychiatrist, another was tropical medicine.
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Because of my capacity for listening to strangers' tales, or the details of their lives, my patience with their food and their crotchets, my curiosity that borders on nosiness, I am told that anyone traveling with me experiences an unbelievable tedium, and this is why I choose to travel alone.
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Fiction gives us the second chances that life denies us.
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My love for traveling to islands amounts to a pathological condition known as nesomania, an obsession with islands. This craze seems reasonable to me, because islands are small self-contained worlds that can help us understand larger ones.
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I'm constantly running across people who have never heard of books I think they should read.
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I hate vacations. I hate them. I have no fun on them. I get nothing done. People sit and relax, but I don't want to relax. I want to see something.
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I think people read travel books either because they intend to take that trip, or because they would never take that trip. In a sense, as a writer you are doing the travel for the reader.
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Nyasaland was the perfect country for a volunteer. It was friendly and destitute; it was small and out-of-the-way. It had all of Africa's problems - poverty, ignorance, disease.
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It is usually expensive and lonely to be principled.
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I am happy being what I am.
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Death is an endless night so awful to contemplate that it can make us love life and value it with such passion that it may be the ultimate cause of all joy and all art.
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It's only when you're alone that you realize where you are. You have nothing to fall back on except your own resources.
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If you're a misanthrope you stay at home. There are certain writers who really don't like other people. I'm not like that, I don't think.
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Many aspects of the writing life have changed since I published my first book, in the 1960s. It is more corporate, more driven by profits and marketing, and generally less congenial - but my day is the same: get out of bed, procrastinate, sit down at my desk, try to write something.
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Dentists seem to me very orderly, businesslike people who appear to become somewhat bored with the routine of their work after a period of time. Perhaps I'm wrong.
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When I left Africa in 1966 it seemed to me to be a place that was developing, going in a particular direction, and I don't think that is the case now. And it's a place where people still kid themselves - you know, in a few years this will happen or that will happen. Well, it's not going to happen. It's never going to happen.
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The impulse to write comes, I think, from a desire - perhaps a need - to give imaginative life to experience, to share it with the reader, not to cover up the truth but to deliver it obliquely.
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Tourists don't know where they've been, travelers don't know where they're going.
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I was raised in a large family. The first reason for my travel was to get away from my family. I knew that I wanted to be a writer, but I didn't want people to ask me questions about it.
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The Peace Corps is a sort of Howard Johnson's on the main drag into maturity.