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The Peace Corps is a sort of Howard Johnson's on the main drag into maturity.
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Travel works best when you're forced to come to terms with the place you're in.
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Fogeydom is the last bastion of the bore and reminiscence is its anthem. It is futile to want the old days back, but that doesn't mean one should ignore the lessons of the visitable past.
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I feel as if my mission is to write, to see, to observe, and I feel lazy if I'm not reaching conclusions. I feel stupid. I feel as if I'm wasting my time.
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I have spent my life on the road waking in a pleasant, or not so pleasant hotel, and setting off every morning after breakfast hoping to discover something new and repeatable, something worth writing about.
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You define a good flight by negatives: you didn't get hijacked, you didn't crash, you didn't throw up, you weren't late, you weren't nauseated by the food. So you are grateful.
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I wanted the Peace Corps to be something very vague and unorganized, and to a large extent it was. It did not run smoothly. The consequence was that we were left alone.
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The two impulses in travel are to get away from home, and the other is to pursue something - a landscape, people, an exotic place. Certainly finding a place that you like or discovering something unusual is a very sustaining thing in travel.
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I don't think I've ever seen a person having a serious conversation on a cellphone. It's like a kiddie thing, a complete time waster.
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What draws me in is that a trip is a leap in the dark. It's like a metaphor for life. You set off from home, and in the classic travel book, you go to an unknown place. You discover a different world, and you discover yourself.
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When I began to make some money, I really wanted to have a home.
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Anything is possible on a train: a great meal, a binge, a visit from card players, an intrigue, a good night's sleep, and strangers' monologues framed like Russian short stories.
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You need to be on your own so that you can meet people as you are, and as they are.
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Gain a modest reputation for being unreliable and you will never be asked to do a thing.
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One of the things the 'Tao of Travel' shows is how unforthcoming most travel writers are, how most travelers are. They don't tell you who they were traveling with, and they're not very reliable about things that happened to them.
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Extensive traveling induces a feeling of encapsulation, and travel, so broadening at first, contracts the mind.
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There are places that I've always wanted to go. First I went to Africa, and when I was there I realized there were places in Africa I really to wanted to visit: The Congo, West Africa, Mombassa. I wanted to see the deep, dark, outlandish places.
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The more you write, the more you're capable of writing.
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The amount of hassle involved in travel can be overwhelming.
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Travel magazines are just one cupcake after another. They're not about travel. The travel magazine is, in fact, about the opposite of travel. It's about having a nice time on a honeymoon, or whatever.
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I do not want to be young again.
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The worst thing that can happen to you in travel is having a gun pointed at you by a very young person. That's happened to me maybe four times in my life. I didn't like it.
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Travel is glamorous only in retrospect.
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Animal lovers often tend to be misanthropes or loners, and so they transfer their affection to the creature in their control.