Ellsworth Kelly Quotes
My work is about structure. It has never been a reaction to Abstract Expressionism. I saw the Abstract Expressionists for the first time in 1954. My line of influence has been the 'structure' of the things I liked: French Romanesque architecture, Byzantine, Egyptian and Oriental art, Van Gogh, Cézanne, Monet, Klee, Picasso, Beckman..
Quotes to Explore
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Our children will outwit us if they want; for when it comes to technology, they hold the higher ground. Unlike other tools passed carefully and ceremonially from one generation to the next - the sharp scissors, the car keys - this is one they understand better than we do.
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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It is important to be well read, at least a little bit.
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Prog didn't really go away. Just took a catnap in the late Seventies. A new generation of fans discovered it, and a whole new array of bands and solo artists took it on into the new millennium.
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I can give you a six-word formula for success: Think things through - then follow through.
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I know exactly what it is like to fight against the odds and to overcome adversity.
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Dave thought he was bigger than Van Halen the band. So there was this catfight going on for 10 years.
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I am a firm believer in the people. If given the truth, they can be depended upon to meet any national crisis. The great point is to bring them the real facts.
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Black women, whose experience is unique, are seldom recognized as a particular social-cultural entity and are seldom thought to be important enough for serious scholarly consideration.
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We don't normally think of it as such, but writing is a technology.
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I really believe musical form will go on. There's got to be a way of making musical form in cinema live again.
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We usually never got out of there before four or five o'clock in the morning. Every morning. So it was rough.
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The truth about filmmaking is you have all these ideas and you're trying to convince everybody that they should buy into this idea, but at two o'clock in the morning when you're all on your own you're going, 'Geez, I hope I know what I'm doing. I hope this idea is gonna work.'
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It is not the crook in modern business that we fear, but the honest man who doesn't know what he is doing.
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I think probably the reason why I really enjoy acting is that I really am interested in people. I'm interested in what they think, why they think it and what happened in their lives to make them see things a certain way.
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I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.
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My three best friends get me through everything: I need cute jeans, my kids are driving me crazy, I'm throwing a party, whatever. They keep me dialed in.
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We are such materialists that all our metaphors are going to be material.
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I just became what I call an 'anti-fascist novelist.' There is no word that covers both the fascists and the Communists, which mean different things to people, but of course they're the same: they're tyranny states.
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You can ask me anything you like about my work, but I'll never talk about myself.
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There is still much work to be done to help our students secure good-paying jobs and achieve their ultimate goals, and in Congress, I'll continue to support Career and Technical Education programs.
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It was Sophie Taeuber who, by the example of her work and her life, both of them bathed in clarity, showed me the right way. In her world, the high and the low, the light and the dark, the eternal and the ephemeral, are balanced in prefect equilibrium.
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Art is not supposed to change the world, to change practical things, but to change perceptions. Art can change the way we see the world. Art can create an analogy.
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My work is about structure. It has never been a reaction to Abstract Expressionism. I saw the Abstract Expressionists for the first time in 1954. My line of influence has been the 'structure' of the things I liked: French Romanesque architecture, Byzantine, Egyptian and Oriental art, Van Gogh, Cézanne, Monet, Klee, Picasso, Beckman..
