Elmer Davis Quotes
Quotes to Explore
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And it's sort of an old-fashioned ER, in that it's very much about the medicine, and how these people cope. There's very little about the personal lives of the characters.
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We're dealing with sophisticated customers. What's most important to these women is individuality. I have to create things she'll want to wear, no matter who she is.
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I'm not very good in crowds, so I usually try to become as small as possible.
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To be slandered the way I get slandered is really uncalled for, but life goes on.
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I just want to be part of great stories that are told and for them to be relevant.
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The family is the school of duties - founded on love.
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My dad would pick me up every other Friday at 6 o'clock and drop me off every Sunday at 6 o'clock, and I remember those last couple hours, like around 4 o'clock, my dad would get kind of sad because he knew that he was about to not see me for two more weeks.
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I continue to be very shy. I think a lot of actors and performers are really weird, shy people working it out onstage. I don't know why that is.
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As Mayor, I will use my experience to make San Francisco a place where small businesses can thrive.
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I always believed in my ability, but I think in any sport you need that little bit of luck.
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The Old Firm clubs are not easy clubs to manage and sometimes I think frustration comes in that, in the end, make you happy to be leaving.
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In a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.
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Also, I have found that I really like to work in English. It's very strange because it's exactly the opposite of what I thought it would be like.
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The Palestinian election is something that was really a turning point. It's a mandate for peace.
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I'm parodied as being some right-wing fundamentalist extremist, it just isn't true. The parody doesn't reflect reality.
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Ultimately, when I go back to the stage, I want to be able to do everything. I want to be able to do music and comedy and all that stuff; that's what all this stuff is leading to.
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There will be mental worries with the long jump before Rio, but I know I can get through it. It's just getting my confidence back. I know I have a big jump in me.
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I fell in love with acting at around the age of 11, when I was drafted in to play a fairy at an amateur production of 'Midsummer Night's Dream.'
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I'm not in the slightest wanting to attack the women's movement here. But I think that in popular, broadly left-wing, broadly feminist discourse, there is a tendency to just label discrimination against women - and embedded assumptions about them - as misogyny and think 'job done.'
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I played acoustic guitar so intensely, for so long - for nine hours a day as a 10-year-old, writing songs through the night, on tour constantly from when I was 19 - that I destroyed my arms and shoulders in the process.
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Retiring for good wasn't difficult. I knew at the time it was right. I was no longer capable of achieving the standards I'd set myself and there was no light at the end of the tunnel.
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To be employed in the entertainment industry is a miracle.
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The problem with being a journalist is you go places and you're working. You don't get to appreciate everything. But I got enough of a sampler of South Africa; I thought, 'I want to come here when I don't have to interview people for a living so that I can really enjoy it.' Because I think it was just a magnificent place.
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This will remain the land of the free only so long as it is the home of the brave.
