Billy Sherwood Quotes
So I was always around music and my dad was in his own way a progressive jazzer, a big band jazzer guy.

Quotes to Explore
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There's a perception out there that the U.K. has become unfriendly to immigrants. Even if that isn't true, the very fact that that is the perception will make people not even want to come.
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I was probably never going to get to do the kind of things dramatically that I really wanted to do, so I returned to theater from time to time, and to write, and produce. It's by no means sour grapes.
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Being on your own would be sad, sick and weird. I don't trust myself. I need that balance.
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I buried Joel on our 48th anniversary. I had been with her since I was 16.
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There are different reasons to make movies.
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I've always used black girls on the runway, because I think they're beautiful. I don't need people to tell me, 'You need to use black girls.' I did for 20 years; it's not a new thing for me.
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They got word that the Japanese planes were coming back, so we sunk her ourselves so the Japanese wouldn't get it. We didn't want the Japanese to get it intact.
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I've always thought that design can have equal importance to the idea of internal architecture. Professionally, things can be very dogmatic - you do the architecture, someone else does the interiors, someone else does the furniture, the fabric, etc. But I think design is all-encompassing.
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I started traveling by myself as early as 5 to see my dad. I'd go to Toronto or Los Angeles, depending on what show he was doing, but most often New York, and we would hang out, and he'd take me to museums and Broadway plays. The ones that had the biggest impact on me were the George C. Wolfe productions.
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As goes California, so goes the rest of the nation.
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When I interview celebrities, I always try to throw them off balance. My favorite is to ask 'em about crazy sex stuff like donkey punches and Monroe transfers. Works every time.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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With 'The Social Network,' I got into it at first because frankly I thought there was a cool courtroom drama to be had with the intellectual properties. And then what further drew me in was that the most extraordinary social networking device ever created was created by the world's most antisocial person. I liked that story.
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I think I have a strange relationship with time. I'm not really aware of that time passing. I don't feel that I'm wasteful with time. But I'm not aware of it passing.
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I know about the tech industry in that I follow what apps are hot and software development. I know my way around different browsers. I know how to restart a computer.
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I don't get tired of my work because you can't get tired of something you love and enjoy! But, having said that, I wish to get a break of four to five days, or at least three days, switch off my cell phone, and do what I want to.
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I don't mind playing spoiler.
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I would love to have been a painter in the tradition of the surrealist painters who I admire so much.
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Be happy, be proud, be generous, be respectful, be proud to be French citizens.
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To anybody who says to me, 'I'm in character,' I say, 'You should be in an asylum.' If you don't know that you're pretending, then you should really seek medical help. I don't have patience for that stuff.
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I check Style.com to look at the collections and love to poke around some of the other fashion blogs to see what's going on.
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I went to a public high school that had a very small graduating class of 156 students. I lived a relatively normal childhood until I turned probably around 16. Things started to take off career-wise.
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So I was always around music and my dad was in his own way a progressive jazzer, a big band jazzer guy.