Elvis Mitchell Quotes
'Black Hawk Down' wants to be about something, and in the midst of the meticulously staged gunfire, the picture seems to choose futility arbitrarily.
Quotes to Explore
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The essential relationship across American history between black people and white people is one of exploitation and one of plunder. This is not, you know, necessarily about, you know, whether you're a good person or not or whether you see black people, you know, on the street, and you're willing to shake their hands and be polite.
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I just see religious freedom, as a category, as just being a black hole.
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When I'm around black or white people, I'm always in the middle. Especially when I am around black people; they will really tell how they feel about white people regardless of the fact that I'm also white and have white relatives. It's very interesting and can be really hard.
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Forget it, Louis, no Civil War picture ever made a nickel.
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Life is painting a picture, not doing a sum.
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Your purpose is to make your audience see what you saw, hear what you heard, feel what you felt. Relevant detail, couched in concrete, colorful language, is the best way to recreate the incident as it happened and to picture it for the audience.
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'Black Messiah' is a hell of a name for an album. It can easily be misunderstood. Many will think it's about religion. Some will jump to the conclusion that I'm calling myself a Black Messiah. For me, the title is about all of us. It's about the world. It's about an idea we can all aspire to. We should all aspire to be a Black Messiah.
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Granny beads are what they're called when a grandma works the garden all day - you always see them - they have a handkerchief around their neck with a lot of dust on them, and then the sweat will go down and make these black beads of sweat and dirt around their neck. And that's what they call granny beads.
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All these police treating our people wrong, man. Black lives matter, but we got fans of all different colors, so all lives matter.
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After two years at UCLA, I decided to leave. I was convinced that no amount of education would help a black man get a job.
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When I was eight years old, I wrote a paragraph-long short story about a goat on my mother's hundred-pound, black-and-white-screen laptop. The story came about largely because I liked the way the word 'goat' looked on the page, but I decided then and there that I wanted to be a writer. That desire never changed.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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One day, out of irritation, I said, you know all of those years with the Royal Shakespeare Company, all those years of playing kings and princes and speaking black verse, and bestriding the landscape of England was nothing but a preparation for sitting in the captain's chair of the Enterprise.
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The pattern of a newspaperman's life is like the plot of 'Black Beauty.' Sometimes he finds a kind master who gives him a dry stall and an occasional bran mash in the form of a Christmas bonus, sometimes he falls into the hands of a mean owner who drives him in spite of spavins and expects him to live on potato peelings.
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I've had people break into profiles on my Internet; they got into my accounts. This was at the beginning of my career. There is a fair bit of alarm when something like that happens. It definitely bothered me a lot at the time. But you move on from these things.
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Something like 'Rust and Bone' would be a dream. Very pared down. 'Orphan Black' is such a challenge. I just need something that isn't as full-on intense as that.
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The No. 1 cause of preventable death for young black men is not auto accidents or accidental drowning, but homicide.
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I love black truffles. I love white truffles.
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I spent seven months in Africa and came back saying there isn't anything you can say about black people that you couldn't say about, say, pink people except that they're black.
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Won't it be wonderful when black history and native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.
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Nothing, indeed, is more dangerous to the young artist than any conception of ideal beauty: he is constantly led by it either into weak prettiness or lifeless abstraction: whereas to touch the ideal at all you must not strip it of vitality. You must find it in life and re-create it in art.
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The sun never sets on my gallery.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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'Black Hawk Down' wants to be about something, and in the midst of the meticulously staged gunfire, the picture seems to choose futility arbitrarily.
