Elvis Mitchell Quotes
His work isn't all glower. Even though he hasn't smiled in a movie since the underrated 'Proof' in the early 1990s, Mr. Crowe is given to a hurt swallow when he's uncomfortable and to a look of suffering in his eyes.
Quotes to Explore
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In some Old Testament books, it's very evident that an editor has been at work. That's quite all right. It's part of the process.
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I promised my mom that if, after a year of putting 150 percent into my career it didn't work out, I would go back to school. I never did go back.
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I'd really love to work with Quentin Tarantino. There's so many people that I'd love to work with, but there's something about Quentin, and one of my all-time favorite films is 'Kill Bill.' Something along those lines would be such a blast.
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In the back of my mind, I can never forget this could be gone tomorrow - and at this point I think the odds are against me... the chances of succeeding in this business are slim to none; there's only a handful of people that have long careers. You have to put in the work, you can never be satisfied, never take it for granted.
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Sony is the coolest studio. They are really amazing. I think part of it comes from they're not an American corporation. They don't work by quite the same rules. And their studio heads have a lot of autonomy.
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The American Dream is that any man or woman, despite of his or her background, can change their circumstances and rise as high as they are willing to work.
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I spend a lot of time talking to women interested in office about how they can make it work.
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I want to play in as many theatres as possible, work with as many brilliant people as possible, but definitely do a new play.
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I want to do work that has a message and casts a light over an area that's dark. But I'm fun and jovial, too.
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I don't think I'll ever want to do pop music. I think I'll only ever want to do classical crossover because it's something that I love, and pop just doesn't work for me.
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I'm not partial to any system, but at the same time, I'm a Korean actor, so I expect to work mainly on Korean projects.
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There is a lot of Indian connect in 'Million Dollar Arm'. It is about two Indian boys, and we even shot quite a bit of the movie in India.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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I'm this overachiever type, I'll just work and work and I'll just do it over and over and over again.
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'Carrie' was a pretty big-budget movie at a real studio, with a director that had already done a bunch of things and had some notoriety, and Stephen King was the writer.
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Power is natural, but it can be improved with a lot of work. It's been something I've focused on for a couple of years because I saw it as a place where I could make improvements.
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Everybody in the South loves the one closeted homosexual who's married. It's just too funny to not have in a movie about the South. It's an epidemic. You gotta represent!
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Faith is not a sense, nor sight, nor reason, but taking God at His work.
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I've never seen hard work fail.
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If someone wants to lead a double life, they will find a way to do it. And they can promise you things until your nerves unfold and you can finally put up your feet. But it can all be a lie. There are no guarantees, even when people mean what they say at the time. People change their minds. People die. And the hurt is as real as a baseball bat.
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People with children will know this: when the childcare is over, it's over on the dot. You immediately have to go into child mode; there's no down time.
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When I did 'E.T.,' it sort of solidified the only family I know are these film crews. These gypsies. These filmmakers. That was the solidification and the clicking revelations of 'This is what I want to do with my life and this is where I'm going to survive.'
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His work isn't all glower. Even though he hasn't smiled in a movie since the underrated 'Proof' in the early 1990s, Mr. Crowe is given to a hurt swallow when he's uncomfortable and to a look of suffering in his eyes.
