Sam Kean Quotes
As a child in the early 1980s, I tended to talk with things in my mouth - food, dentist's tubes, balloons that would fly away, whatever - and if no one else was around, I'd talk anyway.
Quotes to Explore
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The decathlon takes so long to learn that people who are good athletes don't want to go back to the beginning again.
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I put everything I think is sexy into my shoes.
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The first 10 years of my life, I lived as 'Matangi.' When I came to England in '86, my first week of school was terrible because I would put my hand up to answer things, and no one would choose me because they couldn't say my name. My auntie came from Europe to visit us, and she was like, 'Just call yourself something else.'
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Being Human clothing was first launched in France, Belgium and Spain, where the brand's philosophy of look good, do good is connecting with people and not just Salman Khan.
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Brands mature over time, like a marriage. The bond you feel with your spouse is different than when you first met each other. Excitement and discovery are replaced by comfort and depth.
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People expect me to be that guy. But I'm more east London boy than east Baltimore.
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I can't imagine playing a boring gig. Like, a boring audience without reaction, I will play against them.
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A lot of times, I played bass on songs. Gene plays guitar on some songs.
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It's so worth-while being a judge, because, if I make good, I can help prove that a woman's place is as much on the bench, in City Council, or in Congress, as in the home.
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They have a crystalline sense of right and wrong; it disappears when they walk out the door with their M.B.A.
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I'm a child of the Women's Movement. I always believed that I could do anything. That women didn't have to be limited in any way.
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One who imitates what is bad always goes beyond his model; while one who imitates what is good always comes up short of it.
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I know some people are really comfortable with talking about their feelings and hopes and fears in public, but I'm not, and I don't think it's that extraordinary.
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An artist is attracted to certain kinds of form without knowing why. You adopt a position intuitively; only later do you attempt to rationalize or even justify it.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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If there is no criticism, you become lazy. But it should be constructive, and it should be the truth. If it's biased and there's no truth in it, then I don't care about it. If it's true, it helps me grow.
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Actually, when I was in elementary school, I saw a saxophone. A band came to my school, and I saw this guy get up and play this solo. And I said, 'Oh man, what is that! That must be fantastic!'
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And it wasn't until '84 when I was first asked to come to Sweden and do an album and concert tour.
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I'm one of those firm believers that good music will prevail.
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When I was in college, I was a semiotics major, which is this hopelessly pretentious body of French literary theory.
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It was fun while it lasted, but it never seemed real to me. I could not believe I was in Van Halen.
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As a child in the early 1980s, I tended to talk with things in my mouth - food, dentist's tubes, balloons that would fly away, whatever - and if no one else was around, I'd talk anyway.
