Sam Kean Quotes
In 'The Violinist's Thumb,' I talk about the poignancy of cells leaking across the placenta into both the mother and the child.
Quotes to Explore
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My view is pensioners don't have the one option that people of working age have. They can't really increase their income, because they are no longer able to work.
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I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
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The way that I look at it is that, when we film for eight months straight for a new 'Jackass' movie, I know that I'm going to wind up with at least two broken bones. I don't know when it's going to happen, but you can't contemplate how you're going to fall and what's going to happen.
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Getting pummelled is better than not playing anything at all.
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The resilience of these people is amazing. I am a great believer that the sooner we get things up and running in terms of sport in this area, the better.
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'The Wire' really is an American classic, and I think that's something to be very proud of.
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We who curate our Twitter feeds and Facebook walls understand that at least part of what we're doing publicly, 'like'-ing what we like, is trying to separate ourselves from the herd.
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To mistrust science and deny the validity of scientific method is to resign your job as a human. You'd better go look for work as a plant or wild animal.
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We've got a strong group of Republicans who are conservatives who know that their jobs aren't finished when they finish their speech.
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I actually made a website called Y2 Combinator, which was the Y Combinator that starts Y Combinator clones. There's a very clear difference in the quality between the companies that come from YC and the companies that don't.
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I got into science because I thought that, with inspiration and hard work, I could figure out how life works.
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I'm a huge fan of Eighties music.
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If someone is making a judgment when they don't have firsthand experience, it's intolerant. How can you make a judgment on something you don't know about?
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Ethel Merman would stay with a show for years and tour with it. So would Mary Martin, the great stars. They recognized the value of that success and nurtured it. Now, you come from Hollywood, you play 12 weeks and go away. I don't think that's the best policy.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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When you read a book, you are letting another person distract your thoughts and work your emotions. If they are adept, there's nothing better than turning off and getting lost.
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I think it'd be great if the evening news broadcast, for instance, were unsponsored and unrated.
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The essential lesson I've learned in life is to just be yourself. Treasure the magnificent being that you are and recognize first and foremost you're not here as a human being only. You're a spiritual being having a human experience.
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It can hardly be said that Greenaway is unaware of his demoniac cleverness, but he unearths the nuggets buried in his work in a spirit of generosity. They are not so much possessions to be admired as gifts to be shared.
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A single prop that does not look real to an audience can louse you up. The same is true of the smallest flaw in setting up the motivation in a story line.
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Libraries allow children to ask questions about the world and find the answers. And the wonderful thing is that once a child learns to use a library, the doors to learning are always open.
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That's how I make work. Along the way, I take notes, I read about history and popular culture. Sometimes I act out things in the studio. I go back to my mother's hair salon so I can hear three voices going all at once. I pull inspiration from everything.
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In 'The Violinist's Thumb,' I talk about the poignancy of cells leaking across the placenta into both the mother and the child.
