Emeril Lagasse Quotes
We're probably close to reaching 2,000 shows, which is more than Julia Child and Jacques Pepin together.
Quotes to Explore
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I just want to do my job.
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A leader is admired, a boss is feared.
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But I'm not objective when I'm acting.
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The more I talk about things, the more I understand myself.
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I always think it's because of you know hard work, hard training. And if Susie's training hard, you know, why can't I train hard to get a world record. I'm doing the same thing.
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I go home, and I'm a blob. I just lay there and don't do anything - lay by the pool with the other husbands while the wives work. It's fantastic. It's really good. That's kind of our life at home.
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I've been grateful that 'Time's' reach and mandate is so broad; anything you're interested in, you can usually write about.
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I like to paint, I'm absolutely no good at it, but I'm so comfortable with that because it's good for me to have something to fail at.
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Misanthropy is born, I think, out of an almost oppressive sense of loneliness, a conviction that there's no one on earth who understands you. I don't think misanthropes hate people: They hate that people hate them.
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In our society, the sound of men complaining is like nails on a chalkboard.
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Poor people have more fun than rich people, they say; and I notice it's the rich people who keep saying it.
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Cuba never had advisors in Vietnam. The military there knew very well how to conduct their war.
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I'm pretty much a straight guy on 'The Office.' We can't all be crazies. You need some balance.
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In boxing, it's one fight, so it's easier to build up rivalries, but everyone's got huge respect for each other.
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I can't design anything unless I'm excited by it, meaning I have an urge to wear it.
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When everyone is telling you, 'You're so beautiful, there's nobody like you,' you begin to think it's true. But of course there is nobody like you.
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Death is only a larger kind of going abroad.
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When I was 15, I had a crush on this guy who was really good at magic, and so I learned to juggle, thinking it would impress him. I spent hours and hours practicing, planning to show him. And then I never even saw him again. But at least I learned how to juggle.
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It takes more drawing to tell a story in pantomime.
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Playing without a concurrent critical review of one's skills will simply get you nowhere.
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There's a preoccupation with memory and the operation of memory and a rather rapacious interest in history.
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All truth is worth knowing and labouring after. No one can tell to what useful results the discovery of even the smallest portion of truth may lead.
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We're probably close to reaching 2,000 shows, which is more than Julia Child and Jacques Pepin together.
