Emil Cioran Quotes
Quotes to Explore
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When I was growing up you would see big American films that really mythologised their landscape, that really showed the vastness and the drama of their country.
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It's quite rare that you find models taken care of backstage.
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I've really enjoyed starting Quora from the beginning. It's really nice to have a new start to things.
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I like to create the music I hear in my interior. As a conductor, you have the ability to squeeze the sounds and interpretation you asked for from 50 to 80 people.
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The first step... shall be to lose the way.
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Insight enables you make sure you don't allow negative beliefs to get permanently set in your thinking - just the same way you wouldn't want fractured bones to be permanently set into place.
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Israel can't be the only country in the Western world not to have freedom of religion.
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The first single I released, 'Anything Goes,' is probably one of the best-written songs I've heard in a long time. It takes somebody knowing who you are. Sometimes writers know who an artist is and what they want to say and how they sing. I will never be opposed to cutting a song if somebody nails my life and what I'm going through.
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Female adolescence is - universally - an emotionally and psychologically intense period.
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Honestly, at times, I still get bored. 'Dancing with the Stars' kept me busy, and that's what I like. When I first started fighting, I was working two jobs, and I was still going to school at the same time while training. I'm meant to be a busy person.
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When I first started out as a young journalist, I know that on at least two occasions, when I walked into a newsroom, I knew I was replacing the black person in that job.
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I was always kind of florid. And full of rhetoric. That was my flaw. My whole time writing, I've had to work against that because it can be a wrecking posture.
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I never had one beer. If I bought a six-pack of beer, I kept drinking till all six beers were gone. You have to have that kind of understanding about yourself. I haven't had a drink now in 12 years.
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I have never read 'To Kill A Mockingbird.'
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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When you're on set, you have to perform and look the part.
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If particular care and attention is not paid to the ladies, we are determined to foment a rebellion, and will not hold ourselves bound by any laws in which we have no voice, or representation.
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When you work as hard as you can and as much as you can to make your first album, and you don't make any money, then you change things.
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We don't know who Donald Trump is.
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If I can convince you that I'm going to beat you up, and you believe me, that's your fault.
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We have to be faster in calming down a resentment than putting out a fire, because the consequences of the first are infinitely more dangerous than the results of the last; fire ends burning down some houses at the most, while the resentment can cause cruel wars, with the ruin and total destruction of nations.
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For movies, I usually do an entire book that has all kinds of things about what is happening at the time the movie is going on and try to get into what my character's going to be like, to try to get some consistency, because they shoot movies out of order.
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Some people do not seem to grasp that I still have to sit down in peace and write the books, apparently believing that they pop up like mushrooms without my connivance.
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Woe to the book you can read without constantly wondering about the author!
