Emilia Clarke Quotes
When I was in my teens, I thought, 'Would I like to try and work hard at being an actor, or do I want to work hard at doing something musical?' Acting won out, but I do really enjoy those moments where I get to just belt something out.
Quotes to Explore
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Sometimes I'd like to play the bad guy and sometimes I'd like to die in a movie.
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I don't think it's good for people to know too much about you. With my favourite bands, I don't want to have the inside track on every single aspect of their personal lives.
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Passivity is fatal to us. Our goal is to make the enemy passive.
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I work grief and sadness out of my body when I dance, and I bring in joy and rhythm.
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I technically have two last names, which is a lot of fun when you're making airline reservations.
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We must exchange the philosophy of excuse - what I am is beyond my control for the philosophy of responsibility.
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Two truths are all too often overshadowed in today's political discourse: Public service is a most honorable pursuit, and so is bipartisanship.
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I would be the worst acting coach ever, because I have no idea what I'm doing.
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When you sample something, you're using the crutch of borrowing chords and melodies from a song that's already great, that's already stood the test of time, that's already special. When you're trying to do it all from scratch, you're writing something brand new that has to stand on its own.
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'Muslim' is not a political party. 'Muslim' is not a single culture. Muslims go to war with each other. There are more Muslims in India, Russia and China than in most Muslim-majority nations. 'Muslim' is not a homogenous entity.
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I always look at money not as a motivating factor but as an element in the composition. You can't ignore it, but you've got to be very careful that it's not motivating you.
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I happen to think singing is hilarious, especially when it pops out at the wrong time.
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Life is something to do when you can't get to sleep.
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To me, form doesn't always follow function. Form has a life of its own, and at times, it may be the motivating force in design. When you're dealing with form as a sculptor, you feel that you are quite free in attempting to mould and shape things you want to do, but in architecture, it's much more difficult because it has to have a function.
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I'm interested in the murky areas where there are no clear answers - or sometimes multiple answers. It's here that I try to imagine patterns or codes to make sense of the unknowns that keep us up at night. I'm also interested in the invisible space between people in communication; the space guided by translation and misinterpretation.
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'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
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I'm enjoying the money, the big house, the cars; what ghetto kid wouldn't?
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I'm obsessed with 'Homeland.' It's not even okay.
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Editing is such a voyeuristic treat for me. I land on a theme and ask authors to pen works that fit the topic.
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I think if you're impregnated with good literature, with good culture, you're much more difficult to manipulate, and you're much more aware of the dangers that powers represent.
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If you can make the family life and the music work together that's wonderful. If you can make it work.
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My message is that God is a good God.
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Though lust do masque in ne'er so strange disguise she's oft found witty, but is never wise.
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When I was in my teens, I thought, 'Would I like to try and work hard at being an actor, or do I want to work hard at doing something musical?' Acting won out, but I do really enjoy those moments where I get to just belt something out.
