Emilia Fox Quotes
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When I was four, we had to choose a musical instrument to play at school, and I chose the cello. I played until I was 18, and although I found it nerve-racking to play solo, I loved playing in an orchestra. When I left school I didn't carry on with it, which I regret.
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I have a heart tattoo on the inside of my middle finger on my left hand.
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Only out of great vulnerability do you discover what strength you have. Having a daughter who I love with all my being has helped me mine the source of that strength to previously unknown depths.
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On my own or with a friend, I'm a shopaholic, and I particularly love the cleaning aisle in the supermarket. But when I'm with my husband, I'm shop shy because he can't bear it. It always ends up with us making a huge scene on the High Street and then going off in a huff in separate directions.
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I was quite shy when I was younger, but I'm not one of those people who can complain of a bad childhood or any trauma. There was none in my life. I had a wonderfully happy childhood.
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I am a single mother - that is the reality.
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My parents never pressured me except to advise me against acting.
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When I was growing up, I wanted to be my half-sister Lucy. She was 14 years older than me and was impossibly glamorous. I grew up in awe of her.
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In acting, every day is different, and I guess it appeals to my storytelling imagination. But I've been very fortunate to get the chance to do what I want to do and earn a living from it to pay the mortgage.
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I didn't realise my upbringing was unusual until my teens. As the child of two actors, I presumed that visiting film sets and being surrounded by colourful characters was normal.
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I was an only child for 15 years and then this lovely present, Fred, came along. It was great - it meant I had my teenage years with a little one around.
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The difficulty with film is you always have to consign a story to being a certain length, whereas with a book you don't have budget constraints; you can cast it yourself.
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I love the instantaneous nature of filming rather than the repetition of working in the theatre, but that maybe because I haven't had great experiences working in the theatre.
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I've always believed in trying to be as open as possible. I think it almost comes with the job - if you can bare your emotions, it makes for better acting.
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I've always had an enormous sense of independence. But I know that sometimes I can be too independent. It is important to be able to share your life - so that is a work in progress for me.
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Every day I fantasise about situations and little themes I see in front of me that would make a good beginning of a story. But one has to be disciplined and just sit down and do it.
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I never feel lonely if I've got a book - they're like old friends. Even if you're not reading them over and over again, you know they are there. And they're part of your history. They sort of tell a story about your journey through life.
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I've always been brought up to stand on my own two feet and not rely too heavily on everyone else around me.
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Being a mum is the best thing that has ever been given to me in my life.
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I'm not very good at time off. I'm happier when I'm working. It's something to do with not knowing what the next job is, so you appreciate it while it's there. I thrive on it, actually. But now I do it to please myself.
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I suppose my life has always been about pleasing people, making sure they're all right, doing the right thing. Then, suddenly, you have to face up to what you want and be honest about it.
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I am too much of a control freak to be a drinker.
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My mother was very ill when I was 18. She had a brain operation and then a nervous breakdown. It's very strange when you see your parents, who have always been your pillars of strength, suddenly become vulnerable. You don't know whether to be angry that they are not strong or devastated.
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I made it to Oxford, but it is not that I am particularly clever, much more that I am a worker bee.