Emily Berrington Quotes
Quotes to Explore
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I don't like the word 'experiment' in the context of art in general. It implies something immature, unfinished, something entertaining for a moment before it becomes irrelevant.
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A hen is only an egg's way of making another egg.
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This is something I've wanted to do my whole life is play baseball, and I think just the opportunity to put on a big-league uniform every day is just... you know, people dream of it, but not everybody gets to do it. I'm thankful every day I get to do it.
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People just decided I was an R&B artist because I'm black.
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Instead of building walls, we should be building bridges.
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The productivity now at universities is terrible. Tenure is a terrible idea. It keeps them around forever and they don't have to work hard.
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You look at a horse, and he's such a majestic, beautiful, powerful creature that you can't not be impressed. I love scraping the water off them when I wash them down because you go all round the contours, and its muscle and body, and you just think, 'Ooh, isn't this a magnificent creature.' You're touching it, and it's just solid, carved muscle.
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Black women as a group have never been fools. We couldn't afford to be.
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No person is just one particular emotion.
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My mother took great relish in introducing me as 'This is my son - he's a doctor but not the kind that helps people.'
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Truth comes to us mediated by human love.
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A culture without mythology is not really a civilisation.
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If you learn from defeat, you haven't really lost.
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What I've discovered and try to integrate into my show is when you're up there, and you are loud and more visible, you're setting a tone for how people can behave and how they can feel comfortable behaving.
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I'd visit the near future, close enough that someone might want to talk to Larry Niven and can figure out the language; distant enough to get me decent medical techniques and a ticket to the Moon.
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A poet can write about a man slaying a dragon, but not about a man pushing a button that releases a bomb.
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I don't know why I'm suddenly playing nasty people. It is very fun, though, and it isn't real, at the end of the day.
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I've found that people get particularly frustrated and shut down when women in fiction are disgusting or disordered.
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I guess I'm fascinated with motion because I find that whenever anything is moving, I have some feeling about it. It doesn't matter what kind of motion it is. A motion will always evoke some kind of reaction.
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In a regular theatre, you'd be kind of moving your eye from one character 5 feet over to the right on the cut. In IMAX, suddenly that's like 20 feet. So I would love to do something. I think I would really want to take the massive screen into consideration so that it would be done properly.
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Music is one of those things that is constantly going in my head all the time. It's sort of like the evolution and creation of doing food, or my philosophy about wine. It's always beating in my head, so it keeps the spirit moving.
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Men are terrified of a woman's depth of love and the energy that moves as a woman's sexuality and emotions. And, at the same time, men want nothing more in this life than to merge completely with a woman's devotional love and wild energy. Only as a man outgrows his fear can he handle a woman's tremendous love-energy without running. And only such a man is worthy of your devotional offering in a committed intimacy.
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I literally can't talk without moving hands.
