Emily Blunt Quotes
The performances I enjoy are the ones that are hard to read or ambiguous or left-of-centre because it makes you look closer and that's what humans are like - quite mysterious creatures, hard to pinpoint.
Quotes to Explore
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Take good care of our fragile planet.
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I am a control freak. I will admit that freely.
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I came into the rap game in 1992; my life was changing, but my group wasn't successful; I also saw the biggest rappers in the world die all of a sudden in the ensuing years, so it was a matter of conquering yourself before you can conquer the world.
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Secrecy is one of the shadier sides of private and public life.
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I wish I could play the World Cup; that's one of my dreams.
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I love when I'm writing and I'm cringing because I know I'm doing something right.
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I can't help but have my sights set on Scorsese, Cohen Brothers and Spike Jones.
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In theory, I work an eight-hour day and a five-day week which means I can socialise with my pals who mostly have normal jobs like teaching and computer programming.
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I've always looked old for my age.
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I grew up in a farm town in Indiana. In the early years I played by myself, because there were no other musicians around.
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Where the bricks are fallen We will build with new stone Where the beams are rotten We will build with new timbers Where the word is unspoken We will build with new speech There is work together A Church for all And a job for each Every man to his work.
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I would say here something that was heard from an ecclesiastic of the most eminent degree probably Caesar Baronius: 'The intention of the Holy Ghost is to teach us how one goes to heaven, not how heaven goes.'
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But people like to say, Oh, it's in the blood. But art comes from nowhere. It comes from a vague, scary place. It's scary because you don't know when it's coming or if it will ever come again. It's this Other.
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Ya white tee, well to me, look like a night gown, make ya mama proud, take that thang two sizes down.
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I can't write songs unless I am in love.
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I love Scotland - I was made an honorary Wallace after my work on 'Braveheart,' you know. If I have two or three days off, I love nothing more than driving up there and climbing around Glencoe.
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The folly of mistaking a paradox for a discovery, a metaphor for a proof, a torrent of verbiage for a spring of capital truths, and oneself for an oracle, is inborn in us.
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I have a lot of hobbies and I can be very remiss in reminding myself to go down to the basement to work.
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I have a huge fan following in Bellary, and when they met me, they told me about their problems. I have seen mining done without proper safety measures and not taking environmental protection into account.
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After 'Chen Zhen,' I wanted to make an emotional, touching story.
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High Romanticism shows you nature in all its harsh and lovely metamorphoses. Flood, fire and quake fling us back to the primal struggle for survival and reveal our gross dependency on mammoth, still mysterious forces.
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I'm not that deep, I'm not that mysterious. Don't try to figure me out. I'm a very open book. What you see is what you get.
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Rembrandt is so deeply mysterious that he says things for which there are no words in any language.
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The performances I enjoy are the ones that are hard to read or ambiguous or left-of-centre because it makes you look closer and that's what humans are like - quite mysterious creatures, hard to pinpoint.
