Emily Bronte Quotes
The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, 'Let me in - let me in!' 'Who are you?' I asked, struggling, meanwhile, to disengage myself. 'Catherine Linton,' it replied, shiveringly (why did I think of LINTON? I had read EARNSHAW twenty times for Linton) - 'I'm come home: I'd lost my way on the moor!' As it spoke, I discerned, obscurely, a child's face looking through the window.
Emily Bronte
Quotes to Explore
I'd love to do a movie where the monster is human, where the issue is not otherworldly, or horror or science fiction.
J. J. Abrams
If you love attention and have a pretty decent voice, that's a pretty good combination.
Zara Larsson
Melancholy, indeed, should be diverted by every means but drinking.
Samuel Johnson
Along with 'Free,' where I sing quite a bit, there are additional songs on 'Skin' where you can hear my voice in the background - lots of 'oohs' and 'aahs.' But more often than not, I use my vocals to prompt other rappers and singers to feel calmer, better, bolder.
Flume
High fashion has become representative of stability in unstable places; that allows you to have a voice in the world stage.
Hailey Gates
We in Congress stand by Israel. In Congress, we speak with one voice on the subject of Israel.
Nancy Pelosi
We can set it as a goal that taxes on labor would be even lower in Hungary... that we will have the cheapest energy in Europe, and that all those who want to work would have a job.
Viktor Orban
One person is as good as another in New England, and better, too.
Sara Willis
There is nothing there - no soul - there is only this question about after death. The question has to die now to find the answer - your answer; not my answer - because the question is born out of the assumption, the belief, that there is something to continue after death.
U.G. Krishnamurti
Drawing teaches habits of close observation that will always be useful.
Susanna Clarke
The intense horror of nightmare came over me: I tried to draw back my arm, but the hand clung to it, and a most melancholy voice sobbed, 'Let me in - let me in!' 'Who are you?' I asked, struggling, meanwhile, to disengage myself. 'Catherine Linton,' it replied, shiveringly (why did I think of LINTON? I had read EARNSHAW twenty times for Linton) - 'I'm come home: I'd lost my way on the moor!' As it spoke, I discerned, obscurely, a child's face looking through the window.
Emily Bronte
