Dean Wareham Quotes
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Great guitar players are a dime a dozen. It is sometimes your very limitations as players that set you apart from the crowd.
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I've never played in Vegas. I've only been to the airport, but even the airport was exciting. Just flying in, looking out the window, you feel the pull of it, like it's some evil force pulling you in, like Mordor.
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I guess I could be singing about Superman, or about Zarathustra coming down from the mountain, but in my mind I was singing about Julian Assange. I wish I could say that Nietzsche inspired my lyrics but all I can honestly say is I was inspired by the graphic design of these '70s paperback covers for Beyond Good & Evil and The Birth of Tragedy and The Gay Science.
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Writing a song is a long road. Or it can be.
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I don't pretend to understand him, but I can enjoy him as a poet and comedian. I liked the idea of the eternal return. Sometimes I think that being on tour year after year is an eternal return; you play a certain club in Copenhagen and then ten years later you are back again, traveling the same roads year after year.
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It's not often I get to do a film that turns out good. Plus, there just aren't that many great directors out there. There are a thousand different decisions that need to be made with each script and it's the good directors that can make those decisions. It's a long and complicated process in regards to what looks good on paper. Working on a bad film can be fun too. It can be a good exercise that gets you writing.
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The fact I have an education forms my lyrical style, I'm sure. I studied the social sciences, history, stuff like that. I have an interest in politics, which maybe works its way into the songs in small, subtle ways.
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Don't be a rock star. I've seen people around me have their lives destroyed by drugs. It just depends on what kind of person you are. Like, some people have a "go" button and a "stop" button, and some people just have the "go" button, meaning that they take drugs and just take more, and more, and more. It could be 6 in the morning and they'll say, "Okay, I have to get more now." I'm not that kind of person.
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You have to love yourself or you'll never be able to accept compliments from anyone.
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They didn't teach Nietzsche in the philosophy department at Harvard; philosophy there was strictly analytical stuff and the poetic ramblings of Nietzsche did not belong. And see - you are teaching it in a literature class - so they must have been right.
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I am interested in politics but have stayed away from writing overtly political songs, or message songs, because I find it difficult to discuss politics intelligently in a 4-minute song. But I am finding there are ways to get bits and pieces of political thought across without preaching that the people have the power or we shall not be moved. Of course these sentiments have their place too - I'm not knocking Phil Ochs - but that's a different kind of music, songs to play at rallies, not to achieve a state of bliss.
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The thing about interviews is that if someone interviews you, and they're an idiot, then they make you sound like an idiot, too. They ask you stupid questions, and they bring you down to their level. It's tempting to not ever want to talk to anybody, but you can't do that.
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The road, lyric-wise, is a trap, and a bore. Maybe it's interesting to me, but I don't think it's a connecting thing with other humans. What is there to write about? Truck stops, hotels, clubs?
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My favorite Galaxie 500 album is the first one, 'Today,' recorded in three days at Noise New York and produced by Kramer. It contains my favorite Galaxie 500 songs: 'Temperature's Rising,' 'Tugboat,' and our interpretation of Jonathan Richman's 'Don't Let Our Youth Go to Waste.'