Deborah Bull Quotes
Young dancers are training at a very vulnerable time in their lives, through adolescence, and while they are trying to work out who they are as people, never mind as a dancer. So train the whole person, not just the dancer.
Quotes to Explore
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I really loved making 'Love, Nina.' I was in every scene, which was amazing. Bloody hell, what a job!
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The incentive for digging up gossip has become so great that people will break the law for the opportunity to take that picture. Then it crosses the line into invasion of privacy. The thing that's really bad about it, though, is that the tabloids don't tell the truth.
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I want to be in control of how my music is released and how I create it. What people don't talk about when they talk about major labels is how many artists get dropped or funding gets dropped when they don't recoup quick enough.
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My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
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I was a wayward child, very passionate and very determined. If I made up my mind to do something, there was no stopping me.
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The thing you notice here after America is how refreshingly ordinary people look because they haven't had their chin wrapped around the back of their ears.
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Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
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Most music that you hear is in synch with itself. We were experimenting with the music falling out of synch with itself and even though it is out of synch you mind can still understand what it is meant to be doing.
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If I'm going to wind up playing left, I want to be the best left fielder in the game. I'll work to be that.
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With modelling, you go somewhere for 24 hours and you don't even see the city, you don't talk to people or see the culture.
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Mike Judge is very specific about how people look in his projects, and I think it's because he's an animator.
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Most commonly, I've been recognized from people who aren't actually from England.
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It had always been a dream of mine to come to New York to work. Coming to New York and looking for work is one thing, but coming to New York and already having a job and feeling like you are already part of the city has been an amazing experience for me.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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There is definitely a sense that when you, as a CIA ops officer... are handling assets, they are delivering to you their trust and their well-being. And you feel very protective of them, even if they're not very nice people.
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I'm always cracking up when I hear what people think I should be doing.
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Sometimes interviews are fun and good conversations, but stuff like photo shoots and appearances at places where you have to meet a lot of people - I was never really made for this kind of stuff.
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Best advice that I ever got is to do whatever it takes to make myself happy, so that I'll be able to make others happy. If I'm not happy, I can't make other people happy.
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Everyone's so interior now, they're not really looking around them. They're on their phones.
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Time narrows or expands according to how we approach it. It varies with a man’s breadth, with his heart.
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Something had begun to emanate from Lila’s mobile body that the males sensed, an energy that dazed them, like the swelling sound of beauty arriving. The music had to stop before they returned to themselves.
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The best characters in books are always the difficult ones, and why would you want to fall in love with someone difficult? The ones I'd fall in love with are the ones I'd definitely keep out of a book.
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Almost anything is easier to get into than to get out of.
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Young dancers are training at a very vulnerable time in their lives, through adolescence, and while they are trying to work out who they are as people, never mind as a dancer. So train the whole person, not just the dancer.
