Deborah Bull Quotes
Young dancers are training at a very vulnerable time in their lives, through adolescence, and while they are trying to work out who they are as people, never mind as a dancer. So train the whole person, not just the dancer.
Quotes to Explore
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I really loved making 'Love, Nina.' I was in every scene, which was amazing. Bloody hell, what a job!
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I feel like, sometimes, when things are just handed to people, in a way, right away, you don't get a sense of what the rejection and the struggle is like that comes along with life.
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The incentive for digging up gossip has become so great that people will break the law for the opportunity to take that picture. Then it crosses the line into invasion of privacy. The thing that's really bad about it, though, is that the tabloids don't tell the truth.
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I want to be in control of how my music is released and how I create it. What people don't talk about when they talk about major labels is how many artists get dropped or funding gets dropped when they don't recoup quick enough.
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My biggest bits of advice are, write as much as you can, finish what you start, get a thick skin, don't take crap from anyone, but also live your life and have fun. The stereotype of a writer holed up alone all day is really unhelpful. You can't write real people and real emotion if you don't let yourself experience them.
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I was a wayward child, very passionate and very determined. If I made up my mind to do something, there was no stopping me.
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The thing you notice here after America is how refreshingly ordinary people look because they haven't had their chin wrapped around the back of their ears.
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Above and beyond drawing my creations, I try to incorporate some kind of message. I try not to end as merely a question but try to provide a conclusion within the work.
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Most music that you hear is in synch with itself. We were experimenting with the music falling out of synch with itself and even though it is out of synch you mind can still understand what it is meant to be doing.
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If I'm going to wind up playing left, I want to be the best left fielder in the game. I'll work to be that.
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With modelling, you go somewhere for 24 hours and you don't even see the city, you don't talk to people or see the culture.
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Mike Judge is very specific about how people look in his projects, and I think it's because he's an animator.
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Most commonly, I've been recognized from people who aren't actually from England.
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It had always been a dream of mine to come to New York to work. Coming to New York and looking for work is one thing, but coming to New York and already having a job and feeling like you are already part of the city has been an amazing experience for me.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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There is definitely a sense that when you, as a CIA ops officer... are handling assets, they are delivering to you their trust and their well-being. And you feel very protective of them, even if they're not very nice people.
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I'm always cracking up when I hear what people think I should be doing.
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Sometimes interviews are fun and good conversations, but stuff like photo shoots and appearances at places where you have to meet a lot of people - I was never really made for this kind of stuff.
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When you are suffering, you become more understanding about yourself, but also about other people's sufferings too. That's the first step to understand somebody is to understand their sufferings. So then love follows.
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I think something happens to us biologically when we have children where the worry sets in immediately. And I don't think that ever goes away. But you have to fight your instincts to build walls up around your children or to want to shelter and protect them from everything.
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I was totally sober in college and really, really focused. I just took the time when other people might be partying and just made music and played at the party instead.
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One trap you can fall into when playing someone iconic is to end up doing everything in an iconic way, no matter how pedestrian or mundane that thing is.
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Laugh a lot. It clears the lungs.
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Young dancers are training at a very vulnerable time in their lives, through adolescence, and while they are trying to work out who they are as people, never mind as a dancer. So train the whole person, not just the dancer.
