Marti Noxon Quotes
There're been sort of a sea change in my work in general, in that the more personal, the universal it's become.
Quotes to Explore
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Kids are always going to be around people who break world records and that. It's how you deal with that. I never let it get in the way of my race, but I am always more than happy after the race to sign autographs and have photos.
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Even if gas prices fall, consumers will continue to be gouged at the pump the only thing that we can be sure rises faster that the price of gasoline is the skyrocketing profits of oil companies.
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There are no sacred and unsacred places; there are only sacred and desecrated places. My belief is that the world and our life in it are conditional gifts.
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Despite the obvious benefits, many Americans do not like Texas. Some even say they despise Texas, and make no secret of their feelings.
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Life moves fast. As much as you can learn from your history, you have to move forward.
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Television offered me the opportunity to do new things; I had written a lot of scripts other than scary movies. I had actually written some romantic comedies and stuff that I really wanted to try my hand at, and nobody would let me do that. Television allowed me to do anything I wanted.
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Becoming a vampire means completely changing your identity.
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Pictures must not be too picturesque.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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I don't know if I'd say I feel green, but I'm getting to know myself as an actor now in a way that I never did as a kid.
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The war against terrorism is a war against those who engage in torture.
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I made nothing happen very slowly.
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I'd love to meet the right girl and have a family. I'm very broody.
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When I remember my life in Russia it is in totally dark colours.
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Today, computers help us making the music. It's really a tool.
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Man I got so many regrets. The biggest is that Eminem gave me so many demos - six different times he approached me, and I didn't sign him. Shame on me.
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Dumb luck brought on the move from business to acting. I had moved to New York when I was 23, in the year 2000. On a lark, I went to audition for a soap opera.
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'Power' is a funny thing. Maybe it's a show that draws people in because they are watching people do things they secretly wish they could do or know they could get away with.
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I got off stage and this guy walked up to me. He's like this ball of energy. His name was Lawrence Mathis, a manager. He said. 'I like what you're doing, and I'd like to talk to you. What are your plans? What are you doing?' I said, 'You caught me at a bad time, because I'm probably moving home in a couple of months.' But I met with him that next Monday and told him what was going on. He said, 'Give me a year to work with you.' I said, 'l don't have a year. I've got six months, at best.' He said, 'All right. Six months.' Five weeks later we got offered a deal from Broken Bow.
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I love traveling, but I hate planes.
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The future, wave or no wave, seems to me no unified dream but a mince pie, long in the baking, never quite done.
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I had no acting background in my family and no experience of theatre. I hadn't even been in a school play.
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What a squalid and irresponsible little profession it is. Nothing prepares you for how bad Fleet Street really is until it craps on you from a great height.
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There're been sort of a sea change in my work in general, in that the more personal, the universal it's become.
