Eddie Redmayne Quotes
My first film, 'Like Minds,' was with Toni Colette, who was extraordinary. I mean it was basically a mini-masterclass for acting on film at a time when all you could probably see were my eyebrows bouncing up and down on screen.
Quotes to Explore
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The fight for freedom must go on until it is won; until our country is free and happy and peaceful as part of the community of man, we cannot rest.
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I think being idle is quite hard for me to do.
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There's nothing more interesting than the landscape of the human face.
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Are we to paint what's on the face, what's inside the face, or what's behind it?
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I don't pretend to be anything but an actor and a writer.
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Every university in America teaches 'Clockwork Orange.' I get fed up with it.
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At some particular time, when I was 14 years old, I've done something that people didn't expect.
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Chaotic people often have chaotic lives, and I think they create that. But if you try and have an inner peace and a positive attitude, I think you attract that.
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I've taken my clothes off enough in my career.
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Since the 1980s, we've been living in this era, really, of corporate rule, based on this idea that the role of government is to liberate the power of capital so that they can have as much economic growth as quickly as possible, and then all good things will flow from that.
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I've been with some of the most quote-unquote beautiful women in the world. But they're so ugly on the inside.
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I'm fascinated by the way Diane Arbus saw things. She came from this fashion background and then twisted it.
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To suggest that you can't be both a mother who is completely in love with her babies, and a professional who is tough and tenacious, is ridiculous.
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I have learned that to be with those I like is enough.
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The key to fashion is, you don't want to look like you're trying. You've gotta be natural.
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I came to America to make it my home, and I did.
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I have a very musical family from my Scottish roots.
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Teams that play together beat those teams with superior players who play more as individuals.
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In the midst of observing the world and coming to consciousness, I was becoming a writer, and what I wanted to put on the page were the stories of people who looked like me.
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To isolate the revolutionary ideologues and their killers we must gain the trust of the majority of Muslims. This can only happen if they are treated as equal citizens, not just in theory, and have access to decent education and jobs.
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In the best possible scenario, whenever you get notes from people, they're good notes, and they see things that you wouldn't have seen otherwise, and they make you a better writer.
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When I was first offered the book deal, I was like, 'I am not a writer. I haven't practiced this.' My approach has been completely stream-of-consciousness, and then edit down, because that's been YouTube for me forever.
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To new concepts correspond, necessarily, new signs. These we choose in such a way that they remind us of the phenomena which were the occasion for the formation of the new concepts.
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My first film, 'Like Minds,' was with Toni Colette, who was extraordinary. I mean it was basically a mini-masterclass for acting on film at a time when all you could probably see were my eyebrows bouncing up and down on screen.
