Dustin Diamond Quotes
We don't know what we're writing until it just comes out. We don't sit around crunching numbers.
Quotes to Explore
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Immortality is really desirable, I guess. In terms of images, anyway.
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I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.
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I was always interested in the kind of history they didn't teach you in school.
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Do we really want Washington administrators coming between us and our doctors?
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I don't know what's going to happen in life, so I don't think it's fair that I know what's going to happen in 'Homeland.'
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The reason can only be this: heroic poetry depends on an heroic age, and an age is heroic because of what it is, not because of what it does.
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You know, I've had an incredible career and I'm blessed.
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I had no interest in sports so I didn't make friends in that traditional way where kids are in public school and they go and they join clubs, and play sports. So I kind of had to find my own way to make friends and get attention and so I just was the class clown.
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You're in the lap of the gods. If people go, they go, and if they don't.
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Luckily, I have been offered the chance to play a South American, Hispanic and even a character from the Middle East in films. There are also a lot of TV series in the U.S. that have a strong presence of actors from India.
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If you hear me out, I believe you'll discover that what motivates me more than any other issue is the defense of everyone's rights.
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When I was young, I was extremely scared of dying. But now I think it a very, very wise arrangement. It's like a light that is extinguished. Not very much to make a fuss about.
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A well-designed 401(k) plan is an enormous competitive edge when recruiting and retaining employees.
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Travel, of course, narrows the mind.
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On Nov. 5, 2012, my friend Elliott Carter died in New York at the age of 103. For me, he was and remains one of the most interesting figures of music history in the past century.
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A barrier for me – which has been both a strength and a weakness – has been my taste. The kind of things I'm interested in aren't always mainstream.
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To feel valued, to know, even if only once in a while, that you can do a job well is an absolutely marvelous feeling.
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If you are vigilant and make a stern effort to reject every thought when it rises, you will soon find that you are going deeper and deeper into your own inner self, where there is no need for your effort to reject the thoughts.
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When we were making KONG, I went into the sound room and made an aria of horror sounds. I was in charge of it; there was no one there to listen to me. I was totally in charge of what I wanted to do.
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It would be nice if at least 1/3 of the people in Korea think that I'm modest.
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But whatever the ramifications, whatever turns the path takes, the beginning is always there, in a particular moment, a particular point of access.
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I lived too much in my head instead of the real world.
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We don't know what we're writing until it just comes out. We don't sit around crunching numbers.
