Martin Donovan Quotes
When I was coming up with the Hal Hartley films, I was cast as a no one. I had no name visibility. I was working at a downtown post-performance-art, avant garde theater company and doing a couple things on television. But I was a total unknown.
Quotes to Explore
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My second-grade teacher went around the class and asked everybody what they were going to be when they grew up. I said, 'I want to travel the world,' and he said, 'You'll be married and pregnant by 21, just like all the girls in this room.'
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Growing up, I didn't feel cool; I didn't fit into any crowd.
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When you see Major League Baseball putting academies in other countries, obviously that throws up a red flag. You wonder why they ain't going up in our neighborhood. Bottom line, what I see, I talk about... I see it over and over. If anybody can show me I'm wrong, then show me.
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It's great, I guess, when your paintings are hanging up in a museum.
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My dad grew up with an avocado tree in his backyard. My entire family, my wife and daughters, they love avocado. I may well be allergic. It makes me physically sick.
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People may remember something I did on the field for a couple of days, maybe a week.
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The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
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The Russo brothers are the best people ever, and they cast me in 'Happy Endings.' I did text Joe Russo to say, 'I don't think my character dies, so if you need a local news cameraman to show up in 'Captain America 2'... I know it doesn't make sense, but just hear me out on this!' He was really cool about it and turned me down right away.
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I still have my old Nintendo 64 that works. And I hook it up, and I still play the original 'Goldeneye.' I'm that geek. I have an 'NBA Jam' arcade machine in my office at 'SNL.'
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Every little girl looks up to her mom so much - that's your first hero.
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Who would have ever thought that, within a couple months of getting into the WWE, that I'd be wrestling in the main event for the world championship? Then, nine months after getting here, actually being the world champion.
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Love isn't an emotion or an instinct - it's an art.
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People always think they're in the middle of a revolution while they tend not to realize the enormity of a change that has happened in the past. The telegraph was a revolution, but who looks at it that way these days? The telegraph sped up the transportation of messages over long distances by a huge factor.
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I started recording because I was always complaining about the records that I was getting of my songs. At least if I did them and messed them up, I wouldn't have anyone else to blame.
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I think it's important to be able to say that you did live a normal life and struggled to make ends meet. It all has to do with work ethic and how I apply myself to my awesome job now. I've always been used to working because I've been working since I was four.
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Back in 1968, when I was 30, my entire life blew up. I had a life plan, and it collapsed for no rational reason.
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I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
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I doubt that the imagination can be suppressed. If you truly eradicated it in a child, he would grow up to be an eggplant.
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It's very difficult to solve a lot of problems from the top down.
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We began talking about the characters and he opened up about his vision. He's extremely thoughtful and sees grand issues both social and political in an interesting way. Quite honestly, I wasn't certain how some of his ideas were applicable to the screenplay, but he was heartfelt and adamant about them. And I remember completely going with it.
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Most of the people in my family were pretty funny. Everyone had a good sense of humor. I came to California right after college, wanting to be a musician.
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Beyond 100,000 lines of code, you should probably be coding in Ada.
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When I was coming up with the Hal Hartley films, I was cast as a no one. I had no name visibility. I was working at a downtown post-performance-art, avant garde theater company and doing a couple things on television. But I was a total unknown.
