Martin Donovan Quotes
Working with actors really depends on the actor. Most of the directors I've worked with don't really know how to speak to actors, actually; some of the best directors don't.
Quotes to Explore
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NATO remains the cornerstone of Atlantic security.
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As you get older, and this is a young man's game, and people say, 'Well, there's no way I can keep up running the way I'm running; there's no way my arm is going to stay as strong as it is.' It's the challenge of trying to stay in my tip-top shape year in and year out so I can keep playing the way I want to play.
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I wanted a personal-finance tool for people who didn't want to be accountants: something you could set up in ten minutes and spend less than five minutes a week on. Mint is now that tool.
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I did every job under the sun from bartending to ushering to temping.
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I came of age as a male lead actor just as the TV landscape dramatically shifted.
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As an actor, you have to give up all control to the director. He's the boss and has all the power. I'm a control freak, so that's really hard for me. Then when you see a film later, it can be infuriating, really disappointing. I've been very lucky, though, and so many of my early experiences were great.
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I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.
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My dad went to jail for a long time. We lost everything, and the situation never resolved itself. My parents had this sort of passionate, disastrous desire for each other - not ideal to grow up in.
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When someone holds a knife to your throat it's easy to be scared. It's not hard to imagine what it would be like.
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I think it's always very important to be comfortable and just kind of expressive; if you take fashion too seriously, then you lose the fun of it. I think you should always take the risk.
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I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.
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I don't wear sunscreen. I don't have a skincare program.
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A woman who tells her age tells everything, and I won't tell it.
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Always wear sunscreen and wash your makeup off at night.
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Number of people have said to me, after hearing your thinking, their mind becomes much more happier.
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I think when I first started out making music here in Los Angeles, a lot of people were really curious about my ethnicity, and you know, whatever questions they had, I'd be more than happy to answer them.
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It is absolutely impossible to transcend the laws of nature. What can change in historically different circumstances is only the form in which these laws expose themselves.
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In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
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The International Girl Crew isn't supposed to be super exclusive - that's a really important part of our brand and message. It's not just our crew - it's a lifestyle. It's for everybody to know how empowering it is to be surrounded by friends who motivate and support you and who you feel like you can exchange ideas with and do projects with.
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I'm really excited about breaking new acts. While I'm trying to preserve the culture and make sure I fight for the acts that the major labels have thrown away, you can't throw away Musiq Soulchild, Kelly Price and Jon B.
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I am not opposed to doing a side project, like Death Cab for Cutie, where it's completely different from my own band.
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I always knew that saying the unsayable was going to be a powerful thing.
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You cannot change anything in your life with intention alone, which can become a watered-down, occasional hope that you'll get to tomorrow. Intention without action is useless.
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Working with actors really depends on the actor. Most of the directors I've worked with don't really know how to speak to actors, actually; some of the best directors don't.
