Martin Donovan Quotes
Working with actors really depends on the actor. Most of the directors I've worked with don't really know how to speak to actors, actually; some of the best directors don't.
Quotes to Explore
-
NATO remains the cornerstone of Atlantic security.
-
As you get older, and this is a young man's game, and people say, 'Well, there's no way I can keep up running the way I'm running; there's no way my arm is going to stay as strong as it is.' It's the challenge of trying to stay in my tip-top shape year in and year out so I can keep playing the way I want to play.
-
I wanted a personal-finance tool for people who didn't want to be accountants: something you could set up in ten minutes and spend less than five minutes a week on. Mint is now that tool.
-
I did every job under the sun from bartending to ushering to temping.
-
I came of age as a male lead actor just as the TV landscape dramatically shifted.
-
As an actor, you have to give up all control to the director. He's the boss and has all the power. I'm a control freak, so that's really hard for me. Then when you see a film later, it can be infuriating, really disappointing. I've been very lucky, though, and so many of my early experiences were great.
-
I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.
-
My dad went to jail for a long time. We lost everything, and the situation never resolved itself. My parents had this sort of passionate, disastrous desire for each other - not ideal to grow up in.
-
When someone holds a knife to your throat it's easy to be scared. It's not hard to imagine what it would be like.
-
I think it's always very important to be comfortable and just kind of expressive; if you take fashion too seriously, then you lose the fun of it. I think you should always take the risk.
-
I used to want covers that represented the book's contents very closely and were also pretty. Many folks automatically believe that this is what makes a good cover. But I've changed my mind about this. While the cover should not lie (by implication or outright), its job is simply to say: 'Pick me up!' to someone who might like the book.
-
I don't wear sunscreen. I don't have a skincare program.
-
A woman who tells her age tells everything, and I won't tell it.
-
Always wear sunscreen and wash your makeup off at night.
-
Number of people have said to me, after hearing your thinking, their mind becomes much more happier.
-
I think when I first started out making music here in Los Angeles, a lot of people were really curious about my ethnicity, and you know, whatever questions they had, I'd be more than happy to answer them.
-
It is absolutely impossible to transcend the laws of nature. What can change in historically different circumstances is only the form in which these laws expose themselves.
-
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
-
I was invited to a dinner party by an ex, and I was convinced that he wanted to rekindle our relationship. I prohibited my friends from coming with me because I didn't want to make it awkward for them when he professed his love to me.
-
The magic to our show and, I think, any successful show, be it on the radio or TV, is every person being true to themselves.
-
My mother, with a Master's in English Literature, taught me to appreciate language and that words matter.
-
I run the Actor's Studio on the West Coast, and one of the things I say all the time to the people I teach - many of whom are acting teachers - is that an actor needs to make choices that make him present.
-
Live Aid was a baby Woodstock, a child of Woodstock, which I call Globalstock.
-
Working with actors really depends on the actor. Most of the directors I've worked with don't really know how to speak to actors, actually; some of the best directors don't.
