Blake Mycoskie Quotes
Quotes to Explore
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I grew up on films.
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I thought we had energy out there. I thought the guys were, they played good, they were excited. We were almost dynamite out there today. Just a flicker away from being dynamite.
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I've seen 'Silence of the Lambs,' like, fifty or sixty times. That's my favorite movie of all time.
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The greatest power is not money power, but political power.
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I've not conducted my life in the service of smallness.
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Voting for Romney after the train wreck of that was the eight years of W. Bush is like losing your pay check playing a rigged game of three-card monte and then playing the same game again a week later 'cause the cards are a different color.
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In an ever-changing technological landscape, where today's platforms are not tomorrow's platforms, the key seems to be that any one of these spaces can use a dose of humanity and art and culture.
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As I've seen over and over again during my career, the best way to deter individual conduct is the threat of going to jail. That's what truly changes behavior. That's what changes the calculus as employees and executives decide whether to participate in an illegal scheme.
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As a model, I am at the mercy of everybody else. It's much more of a situation where I go to work, put the clothes on, get in front of the camera, and then go home. But in that process, I never really have control over any of it.
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Sacred cows make the tastiest hamburger.
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All great sci-fi is: Be careful what you wish for.
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'The Handmaid's Tale' is a human story, and women's rights are human rights, and it's all about equality, but at the end of the day, it's not equal.
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I love music; it's my passion.
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Isn't it lovely to know that even the great Sherlock Holmes, the quirky and genius Sherlock Holmes, is vulnerable to love as we all are?
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I used to hate the sound of my voice.
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I think boys are yucky, and that's it. Nothing more to say.
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We all need critical confrontation of the fullest and most extreme kind that we can get. You can unnecessarily limit yourself by choosing your criticism.
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When that much time goes by, you're really listening to your old music differently. At the time it's written, it was the beginning of our career and with every song we're thinking, 'This is what's creating us.' Now, nothing is creating us. We're well-created. We're there. It becomes just pure pleasure and you become sort of an archeologist of your own music. You don't judge it, because what's the point? It's a 30-year-old song. It just becomes fun.
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I was always drawn toward the Actor's Studio. I studied at the Lee Strasberg Institute when I first came to New York. One of my favorite teachers was one of Al [Pachino]'s teachers, a guy named Charlie Laughton, who was just a wonderful, wonderful man.
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If whatever you do helps just one person, you've done something wonderful.
