Martin Filler Quotes
Cost overruns are not uncommon in architecture, particularly for designs that depart from structural or technological norms, or demand a finer quality of execution than commercial schemes - conditions typical of buildings for cultural institutions. Budgets are exceeded for many reasons, not all of them within an architect's control.
Quotes to Explore
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I love being a part of country music. I love going out and... doing things for the first time for country music. I always enjoy that.
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Being in the stands is very difficult. I was never playing but I am nervous watching, waiting.
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I don't think there's a perfect time to have kids. I think first you have to find the perfect person.
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For any actor - not just talking about myself - but if you've been fortunate enough to work for a long period of time, there's going to be different choices you're going to make.
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The great thing about America is I've never felt like an outsider. I'm just a different piece of the puzzle.
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It is literally true that you can succeed best and quickest by helping others to succeed.
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I volunteer with School on Wheels in Los Angeles, and I also tutor with Koreh L.A.
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When I'm in 'Man vs. Wild' mode, it's not pleasure. Every sensor is firing and I'm on reserve power all the time and I'm digging deep - and that's the magic of it as well, and that's raw and it's great.
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What makes Mom the best is that she never put any expectations too high on the kids. She just wanted us to be doing the things that made us happy, as long as we were working hard, but we never had to live up to something.
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The mainstream sort of presentation of the civil rights movement was not something that I directly inherited.
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My experience in Iraq made me realize, and during the recovery, that I could have died. And I just had to do more with my life.
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Adulthood is not a goal. It's not seen as a gift.
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I keep setting the bar higher for myself in terms of what I'm trying to accomplish.
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I like almonds as a snack - keeps your energy up but doesn't fill you up.
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So if I get these actors for 30% of their price by coming in so late with an offer when they know they are not getting another offer then I do it this way.
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I'm on 'Dancing with the Stars' because I want to prove my sister wrong. My sister literally told the world that I could not dance, so I have to redeem myself.
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I write my songs and just play them, so there are not a whole lot of fireworks. As long as the music comes first, it's OK to have some fireworks. But not the other way around.
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I found L.A. much less responsive to the name Juilliard than New York was. In New York, that name actually means something. People will look up from their desks when you walk in. In L.A. it's, 'Oh yeah, that's a music school. What do you play?'
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I mean, you still can't jump offstage and go read a book. But I'm getting better at it. It is something you can manage. You can still give everything you have to the audience onstage, and have something for yourself.
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Until we have seen someone's darkness, we don't really know who they are. Until we have forgiven someone's darkness, we don't really know what love is.
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Every man ultimately falls into the company with which he affiliates. And he is the strongest who draws men to himself, who creates the company; and this is through having a positive quality - courage and physical prowess.
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Power doesn't just exist. It is threaded through different mechanisms of control. I'm interested in those complexities. But I want to address that in very forthright language and sometimes with images.
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I don't know what 'operational control' of the border means, but I do understand the English language. And as I understand that phrase, that's not true. We do not have operational control.
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Cost overruns are not uncommon in architecture, particularly for designs that depart from structural or technological norms, or demand a finer quality of execution than commercial schemes - conditions typical of buildings for cultural institutions. Budgets are exceeded for many reasons, not all of them within an architect's control.
