Emily Dickinson Quotes
Quotes to Explore
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I developed an optical lure that imitates certain types of bioluminescent displays that I think might be attractive to large predators. The other way to do it is just use dead bait, but I think dead bait attracts scavengers, and we wanted to attract active predators.
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In 'Shaun of the Dead,' it's not Shaun's fault that there's a zombie apocalypse - he just has to get through the day.
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I still relate to my father very much. I mean, I talk to him in a certain way, as we do talk to the dead.
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The 1910 Edison film of 'Frankenstein' was itself a dead thing revived by technology.
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Over the years, so many exceptions and amendments were made to China's one-child policy that it was hard to pinpoint a moment to pronounce it dead.
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We treated all of the dead with dignity.
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I feel like a 16-year-old trapped inside a dead woman's body.
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Poussey is a really huge part of 'Orange,' and I'm sure her name will always echo through the halls of Litchfield, dead or alive.
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You're dead if you aim only for kids. Adults are only kids grown up, anyway.
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The dead should be judged like criminals, impartially, but they should be allowed the benefit of the doubt.
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Romance is dead - it was acquired in a hostile takeover by Hallmark and Disney, homogenized, and sold off piece by piece.
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My hair is naturally really thin and dead straight, with no movement.
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If God is dead, somebody is going to have to take his place. It will be megalomania or erotomania, the drive for power or the drive for pleasure, the clenched fist or the phallus, Hitler or Hugh Hefner.
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The dead don't bother with particulars.
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It's dead - for the time being. This issue goes in cycles.
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There's nothing deader than a dead love.
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Go and ask an undertaker or the guy who operates the crematorium what it takes to get rid of a dead body. It takes one liter of petrol and 20 minutes. Now, six million?
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Man is a being with myriad lives and myriad sensations, a complex, multiform creature that bears within itself strange legacies of thought and passion, and whose very flesh is tainted with the monstrous maladies of the dead.
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The first requirement for a composer is to be dead.
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The fact of leaving one's country, one's family, one's roots, can be painful. My father had already found his place, but for us, for my mother, it was very difficult to get our bearings.
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The most winning woman I ever knew was hanged for poisoning three little children for their insurance-money, and the most repellent man of my acquaintance is a philanthropist who has spent nearly a quarter of a million upon the London poor.
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I simply constructed a project to try to snap Kurt [Cobain] out of a frame of mind. I sent him a plane ticket and a driver, and he tacked the plane ticket to the wall in the bedroom and the driver sat outside the house for 10 hours. Kurt wouldn't come out and wouldn't answer the phone.
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A Bayonet's contrition is nothing to the dead.
