Emily Giffin Quotes
I try to have something in common with my protagonists, especially when I'm writing in the first person.
Quotes to Explore
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I've been writing a lot of poetry recently. It helps me think and work things out.
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Yeah I'm still writing. I've got about 14 tracks now. But we've been on tour so we haven't had time to get back to a rehearsal place.
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I guess I went into journalism to save the world. I always felt through writing that I wanted to rotate the world slightly.
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Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.
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Writing is an exploration. You start from nothing and learn as you go.
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I think you have to learn for yourself how to write. I'm slightly mystified by creative writing courses - God love them - because I can't understand how you can explain a process that I find so baffling.
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I think that the idea that I'm writing for many more people than I ever imagined has created a certain general responsibility that is literary and political. There's even pride involved, in not wanting to fall short of what I did before.
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I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, 'A picture book is the essence of an experience.'
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If your writing collides with the conventional wisdom, there's going to be some kind of friction.
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I love writing. Given a choice, after directing for all these years, and if given an army of talented directors, I would not direct at all.
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I was going to try to get into the creative writing program at Berkeley; it's just that the acting thing worked out.
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I can ask for a £25,000 advance, but then you spend a year writing the book, and £25,000 is a loan against sales, and you can easily spend five years earning out. So that's £25,000 for six years.
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I've been writing about my boyhood, when I was a little kid back on my grandfather's farm where we didn't know about black widow spiders or all that stuff. But writing about that is so easy.
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When you're writing, you are robbed of your delivery.
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I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
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I am truly at my happiest not when I am writing an aria for an actor or making a grand political or social point. I am at my happiest when I've figured out a fun way for somebody to slip on a banana peel.
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You could take away the singing, and I am fine. But don't take away my gift of writing. It is the best way I can relate and express what I am feeling and what I am going through.
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If it is indeed impossible - or at least very difficult - to inhabit the consciousness of an animal, then in writing about animals there is a temptation to project upon them feelings and thoughts that may belong only to our own human mind and heart.
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The hunger has come back now because I want to be a double Olympic champion. I want to be a legend.
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The tasks I set out for myself are what I do to beat the perfect pointlessness of life.
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To me the external existence of my soul is proved from my idea of activity. If I work incessantly until my death, nature will give me another form of existence when the present can no longer sustain my spirit.
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Where I live, in Vermont, there's this thing that women know about men, which is this disease: their childhood was so idyllic that nothing in the rest of their life can ever be satisfying. It's almost a plague.
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I try to have something in common with my protagonists, especially when I'm writing in the first person.
