Emily VanCamp Quotes
Quotes to Explore
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Incendiary capitalism is carrying its out evil works more dangerously than ever, and is doing so in the increasingly dangerous neighborhood of the powder kegs that are the great European military powers.
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I'm optimistic about people and about the planet and about nature. I think it's resilient, like people are.
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I see no way out of the problems that organized religion and tribalism create other than humans just becoming more honest and fully aware of themselves.
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We as women have a voice and we are decision makers in what film to see. We always support our boyfriends and husbands by going to see the male dominated films, but we don't compel them to see films with female casts.
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Every year on your birthday, you get a chance to start new.
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Being someone with Latin roots, so many doors are constantly closed for you because people put you in a category, and the thing I've always wanted to avoid is categorisation.
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Winning a gold medal is not easy but I believed in myself, especially over the last four years.
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I want some colleague to be free to come help me when I say the time has come. That's what I'm fighting for, me. Now that sounds selfish. And if it helps somebody else, so be it.
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Passivity is fatal to us. Our goal is to make the enemy passive.
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I don't do nostalgia. It just doesn't occur to me. I'm living in the moment, and I don't have that gene.
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I knew that I wanted to be an actor; how to go about it was the question. I went to Australia for my studies; from there I told my dad that I also want to do a course in performing arts, but my father refused. So I completed my studies and came back. But I kept poking him, saying that acting is something that I want to do.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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I believe there is little to gain by exchanging opinions with other artists concerning either the ideology of art or technical methods.
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It is unfair to label me anti-Islam. I am an atheist and a secular humanist.
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People have given me the freedom and believe in me enough to say if I want to do these things that I will find a way to make it work. I don't know if they think I'm crazy, drug damaged or just an old weirdo.
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I also like to garden. I grow things, vegetables, flowers... I particularly like orchids. I raise orchids.
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I loved experiencing city life in New York.
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My character in the first instalment of 'GOW' was very shy and reserved. It was completely different from 'Kahaani,' where I played a no-nonsense cop. And in the second instalment of 'GOW,' it is again very different.
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I don't believe in hostile moves. I don't believe they carry any value.
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I used to tell my three younger siblings stories because that was my household chore, and I told long stories in installments because it was easier and more fun than making up a new story every night. I loved it.
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I don't want my work to be heavy. The challenge is to make it interesting and engaging, keeping in mind the need for method acting. This is what I have learnt from Bharat Muni's 'Natya Shastra' and from the Russian theatre legend Stanislavsky.
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We still have much work to do. The American people care little about procedure, but they care a lot about final results.
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I promised myself I wouldn't work again until I found something that excited me.
