Emma Bonino Quotes
Quotes to Explore
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I've never experienced chronic pain myself, but I have known many people over the years who have.
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I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
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You can de-select the songs that you don't want to have on the record, but I hope we always put something out that has a lot of songs that the majority of people will love.
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Businesses fail when they over-invest in what is at the expense of what could be.
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I make a lot of money and I'm worth every cent.
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For writers and artists, it's always a balancing act between wanting to be the center of attention and wanting to be invisible and watch what's going on.
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I had Hallowe'en parties every year, as it was my birthday five days before. My parents would actually put prosthetic noses on, and my dad would wear a top-hat and tails, put on a fake curly moustache, and hold a pipe.
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We only have a certain amount of energy for each day. If we use it for the wrong purpose, if we focus on the negative or dwell on whoever hurt us, then we're not going to have the energy we need for the right purposes.
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More and more, cultural groups are cross-pollinating, and we're getting much more interesting art as a result.
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My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
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My view is that while you do occasionally have differences you ought to have a process where you can sit down and talk about things. How else do you solve problems?
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I owe everything to France.
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Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
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Anytime you spend 15 or 16 hours a day with someone, five days a week for six months, that's more time than some people spend with their own families, so it does affect the dynamic between the actors.
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If anything is certain, it is that I myself am not a Marxist.
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With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.
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Ethanol has reduced our nation's dependence on imported energy, created thousands of jobs, reduced air pollution, and increased energy security. And renewable fuels cost less at the pump. It is a growth fuel that fuels opportunities for millions of Americans.
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I would really like to play someone contemporary, as I've done lots of period pieces. I would love to play an American bimbo or a grimy Londoner. But I'm probably more suited in people's minds to playing a corseted victim.
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Music seems hard-wired into our very being. It moves us, stirs us to action, sets us in motion, sticks in our memories and minds.
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You can't satirise darts, because it's hyper-real as it is; there's already enough over-the-top madness to it.
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What you don't see is scarier than what you do. Categorization is always kind of arbitrary, but people have called 'Preservation' a 'psychological thriller.' To me, psychological thriller basically means 'a horror movie without the blood.'
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It's hard and sometimes it's scary. It still amazes my mother. I went home for Christmas one year and there were fans all over the front lawn, hoping to see me.
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I very much hope that when my wife reads my writings so she reads it as if she is a character and not the real one. Sometimes she takes it too personally.
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A woman must combine the role of mother, wife and politician.
