Emma Bonino Quotes
Quotes to Explore
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I've never experienced chronic pain myself, but I have known many people over the years who have.
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I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
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You can de-select the songs that you don't want to have on the record, but I hope we always put something out that has a lot of songs that the majority of people will love.
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Businesses fail when they over-invest in what is at the expense of what could be.
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If you keep on saying things are going to be bad, you have a good chance of being a prophet.
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I make a lot of money and I'm worth every cent.
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For writers and artists, it's always a balancing act between wanting to be the center of attention and wanting to be invisible and watch what's going on.
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I had Hallowe'en parties every year, as it was my birthday five days before. My parents would actually put prosthetic noses on, and my dad would wear a top-hat and tails, put on a fake curly moustache, and hold a pipe.
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We only have a certain amount of energy for each day. If we use it for the wrong purpose, if we focus on the negative or dwell on whoever hurt us, then we're not going to have the energy we need for the right purposes.
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I've got a general callout with the Caribbean world in which I'm interested in helping in any way to get their well-written good stories out to the rest of the world. I am really interested in helping those stories get to a completion and public viewing.
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More and more, cultural groups are cross-pollinating, and we're getting much more interesting art as a result.
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My work always presents problems in our society. Those problems may be anything from injustice to freedom, and everything related to humanity.
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My view is that while you do occasionally have differences you ought to have a process where you can sit down and talk about things. How else do you solve problems?
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I owe everything to France.
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Yidaki didgeridoo has been used in every part of Australian regional culture, all around the country. It's become a message stick for the survival of those people, for aboriginal people and aboriginal culture.
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Anytime you spend 15 or 16 hours a day with someone, five days a week for six months, that's more time than some people spend with their own families, so it does affect the dynamic between the actors.
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If anything is certain, it is that I myself am not a Marxist.
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With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.
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Chemotherapy isn't easy. I felt very fortunate I wouldn't have to go through that.
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My best evenings are at home with my lady.
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The story drove the book. That had a very seminal effect on the way I saw writing and storytelling. If you can set a character in a story that is compelling and has a backbone, you draw people in.
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Even though I am in my mid-40s, I live like I am in my mid-20s.
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Without (my wife) Laurie, I would never be here right now, I know that. I would either be in a coffin, or stashed away doing a life sentence some place. Or running and hiding some place, if I was still alive. I'm certain I wouldn't be playing music. She's just been perfect for me. And she's a protector also; she protects me from myself, from temptations, and bad associations. She's constantly shielding me from walking the red hot coals of existing as a game.
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A woman must combine the role of mother, wife and politician.
