Blase J. Cupich Quotes
I grew up in a family of nine children, and I know there has to be a back and forth and a listening.
Quotes to Explore
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I have to remember that winning an Oscar is an almost unbelievable goal and that it is an honour just to be nominated.
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If I could work with Joan Van Ark every day for the rest of my life I would.
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As a child, I always liked dressing up and getting into character, and actors are lucky in being able to retain that playfulness, though we do seem to find it hard to grow up.
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I learned that instead of relying on and imitating American music, there is a better chance for an Asian artist to succeed if he or she follows his or her own culture.
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Surely no one can be sure he has visited Cienega; people say to themselves, do they not: 'Was it a vision; or have I, some time or other, seen dusk in a valley like this?'
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What we call the beginning is often the end. And to make an end is to make a beginning. The end is where we start from.
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In Hollywood they're getting younger, but believe me, it's not the food. It's the plastic surgery.
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I don't have a high IQ, but I've always liked nerds and quirky guys.
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Many people in this world are still so identified with every thought that arises in their head. There is not the slightest space of awareness there.
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I just feel like whenever the team needs a bucket, I can come and get it. I feel I'm a really good scorer.
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I've still got that little freedom part of me that wants to have a car that looks really sexy.
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A revolution is a struggle to the death between the future and the past.
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I think pink is one of the saddest colors in the world, and many American humans are taught not to take anything pink seriously, which is weird.
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According to the situation, your role changes in one-day cricket, especially in a phase like the Powerplay. If I bowl four spells, four times I will be playing a different role. If I come in the first Powerplay, and say the opposition are 70 for no loss after 10 overs, I will be looking to take a wicket.
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Any personal crisis - you have to use it to get stronger.
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In the case of 'The Deep,' because of the people involved, the talent and the real lives of people who died, I wanted to make the most honest film I could. And sometimes that's the best way to go: Just make the best version of the film you can.
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The Zach Johnson Foundation, for my wife and I, is very much a part of what we do and why we do what we do. It's a great platform for us to give back to the community that started me in the game and other communities.
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The minimum wage was due for an increase, but it was important that we offset its cost to small businesses.
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The Longstockings are eight children's and young adult writers. We all came out of the New School MFA program, and we meet regularly to critique each other's work.
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People have been warning us that language was going to the dogs ever since Latin started turning into French. Yet the dogs in question never seem to emerge yelping on the horizon.
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I never look in the rearview mirror.
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I don't lose my temper. I used to, but I realised I would probably die of a brain hemorrhage. So I've governed myself not to mind about things. I have no road rage or anything like that. Because it's life-shortening. And also, there's no need for it; it uses up energy.
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We need, first of all, for there to be accountability, for there to be somebody who is responsible for enforcing standards and holding people's feet to the fire.
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I grew up in a family of nine children, and I know there has to be a back and forth and a listening.
