Farley Mowat Quotes
We're under some gross misconception that we're a good species, going somewhere important, and that at the last minute we'll correct our errors and God will smile on us. It's delusion.

Quotes to Explore
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What brought mass innovation to a nation was not scientific advances - its own or others' - but 'economic dynamism': the desire and the space to innovate.
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I have to be realistic about what I can and can't do. So whatever I do has to really be worth it. I like to master the things I do.
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Shareholders need to have a real interest in the companies they own. Too many are simply too busy - they are asleep at the wheel.
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You know who we hear about all the rappers from? The bus drivers.
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I don't really love to perform in music. Some people like it more, but it's not my thing so much, but just the writing, when you get the lyric, and the lyric just goes just the right way, or you find the right bridge that takes you to the solo, and those moments are tremendous, and it's difficult to portray.
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I think it's always easy to be sympathetic to parts of the government in detail; in their concrete manifestations. Because obviously, we don't have government for no reason.
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I don't ever try to make a song better than my last song. I just try to make it different from my last one.
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It's very easy to have slogans and rhetoric that people will follow, but eventually the slogans fall away.
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I can't predict whether I'll leave here freely or in handcuffs.
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When my film flops, I believe it is my mistake. There have been times when I didn't come out of my house because my films didn't do well. I lock myself in for months. I don't talk to people. I feel bad for producer, director, for those who lost money. It's never about myself or my career alone.
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I've learned to be more accepting of myself. I'm 37, not 18, and I've got the lines to prove it. I try to remind myself that a girl can have it all, just not all at once.
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I remember being a teenager and seeing Seymour Cassel across a crowded room and being incredibly star struck, and not having the courage to say, 'Hello.'
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Modelling wasn't a passion of mine, so that made it get old kind of quickly. I was getting very frustrated.
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I do find walking is fundamental to my creative process.
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A lot of what the 'Culture' is about is a reaction to all the science fiction I was reading in my very early teens.
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I think I always try to be accommodating and open and available and proving for my director. I love to give as many takes as they want. I love to give them as many choices as they want.
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When you're young and you're in love and it doesn't work out - it hurts.
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You have friends, and they die. You have a disease, someone you care about has a disease, Wall Street people are scamming everyone, the poor get poorer, the rich get richer. That's what we're surrounded by all the time.
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I know too that the only reason we have got any cooperation at all out of Iraq is because of the credible threat of force.
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I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
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I trained myself by doing other people's songs in clubs way back when. And so I have no pride about doing covers. I love it. And being a song interpreter, to me, is just as important as, you know, putting your own thing out there. It's all about the soul - where the soul comes from.
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I mean, it's not surprising, really. Once you love something, you always love it in some way. You have to. It's, like, part of you for good.
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We're under some gross misconception that we're a good species, going somewhere important, and that at the last minute we'll correct our errors and God will smile on us. It's delusion.