Deborah Moggach Quotes
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I feel as if someone is going to come along, feel my collar and say: 'Do you really think you can get people to read books you've made up about people that don't exist?'
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I have a hippopotamus skull next to my bed, called Gregory. When I was six, my three sisters and I clubbed together and paid £4 for it in a junk shop. We collected owl pellets, ostrich eggs and sheep skulls for our natural history museum at home.
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You can cycle through London on the side streets, which are less polluted - and much more interesting anyway.
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I'm quite easy to live with and very easy going.
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I am a great believer in having the power to end your life and knowing that, in extremis, you can. But I would not want to involve anybody else in my actions if it could imperil them.
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I like missing someone and being missed; I like looking forward to seeing him again. I like getting emails and texts with lots of xxx's.
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When I was young, I couldn't imagine women of 60 falling in love. For one thing, people used to stay married; they weren't out in the jungle, searching for romance. Besides, these women just looked so ancient - permed hair, beige cardis.
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Bringing my two children up while writing was just a part of life. I'd much rather have had their interruptions than been stuck in a sterile office. This way, I had welcome distractions. I had to load the washing machine, I had to go out and buy lemons.
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The greatest artists know how to entertain, or else nobody would read them.
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I'm always running my mouth off and getting myself in trouble, so I'm trying to do it less.
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The traditional writer is a sensitive only child, asthmatic, who sits on the window seat watching the drops of rain slide down the pane, very introspective. I'm not inward-looking. I would never go to a shrink. I don't want to know what I'm thinking. I don't really like discussions in my family. It may be an avoidance thing.
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Discover the times when you're most creative - mornings, nights, afternoons - and clear the time to work then. Many writers find the mornings are best, and the afternoons are only good for editorial corrections, or getting the washing done. Others can only work through the night, drunk.
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It was very liberating, living in a foreign country, a place where everything was new and strange - the food, the customs, the climate, everything.
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Once you start cycling, the city opens up for you. No longer are you fighting it, hot and frustrated; no longer are you at the mercy of bus drivers, roadworks, decisions made by others and over which you have no control. Believe me, once you've tasted this freedom, you're hooked.
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I was never a lonely child who sat looking at the rain sliding down the window.
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Writing a novel is a huge adventure; when it's going well it's more fun than fun. When it stutters to a halt put it aside. Go for a swim, go for a walk, take a week off. Don't panic or be afraid; you and your characters are in it together. Trust them to come to your rescue.
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My parents were both writers - they would type their manuscripts sitting side by side on the veranda of our house near Watford - so I wanted to do something different. I wanted to be a bluegrass singer, an architect, a landscape gardener, or to do something with animals.
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Living apart is hardly possible if people have children together. It can also be more expensive to maintain two homes. But then, it's expensive to break up when you live in one property.
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My favourite room in my house is easily the top room, which is a bedroom but also a bathroom, with a big, wooden carved bath, two huge fireplaces and a raised bit in the corner for performances. I've had some really lovely parties and poetry readings up there.
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'Tulip Fever' did change my life. It did that thing that sometimes happens when a book takes off - it opened doors on to whole other worlds.
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I've written something like 17 novels, which isn't bad, I suppose, but my father wrote 120 books, my mother 40. In comparison, I'm lazy.
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I did have a go with Botox, but I couldn't move my eyebrows. I also, at one point, had that filler stuff injected, but I looked like a hamster with wodges of food in its cheeks, so I stopped that.
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I work every day from 9:30 or so until lunchtime. In the afternoons, I become a normal person - go shopping and do the garden and look after my grandchildren.
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My perfect day is to work incredibly well in the morning and write something wonderful, then take the dog for a walk and go for a swim in the ladies' ponds on Hampstead Heath or work in my allotment. Then I get tarted up in the evening and go out in London to dinner or the cinema.