Dee Rees Quotes
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For me, like, obviously, I want to see myself onscreen.
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Filmmaking in general is my second career. I thought that writing wasn't practical, so I went to business school and got an MBA, and I worked three years in grant management.
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I like 'Paris is Burning' by Jennie Livington.
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People have almost been lulled into complacency because there are no signs over the water fountains. But the signs have been in the policies. There's still housing discrimination and wage discrimination.
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With 'Pariah,' at the time, I had just come out. I had a coming out experience, and I was writing about it, transposing my experience as an adult: What would it have been like if I had been a teenager in Brooklyn? The funny thing was people thought I was from Brooklyn. I had to be like, 'No, I'm from Nashville.'
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It's a failure of imagination if you can only write what you know - we have to be able to imagine different worlds.
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The only advice I can give is to surround yourself with people who are friends and people who believe in you and your material and who are going to help you take it to the next level. It doesn't mean you don't listen to criticism, but you listen to it and edit it, and you figure out what you can take.
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Art makes you see people as individual, unique human beings. Art, in that way, allows us to see each other in particulate, as opposed to in aggregate.
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The best thing in the world is to put two characters who hate each other side by side. Or put two people who love each other far away, so they have to reach for each other with their looks.
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Creatively, most of my influences come from the literary world: Alice Walker, Toni Cade Bambara. Writers are my heroes.
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'Mudbound,' you know, is about home. 'Mudbound' is about what it means to be a citizen, and 'Mudbound,' in fact, is set in this post-reconstruction era that we haven't really explored. You know, not since 'Sounder' have we even really explored that experience.
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To have a simultaneous global audience as an artist is more than you could ever hope for.
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I wrote poetry and short stories. I would send them to magazines; they wouldn't get in. But short stories are how I found philosophy and how I'd understand the world.
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A producer has to want you. And if the producer trusts you and asks for your vision, it frees you up so much, not having to explain or fight for every decision. You're allowed to create.
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For kids who are struggling, who are of faith, just reconciling yourself to the fact that God loves you, accepts you for who you are, is a big step in the healing, especially when your biological family is unaccepting of you.
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I still want to do features, but on my own terms.
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The enemy is the system. And the system is made up of people, and we have a choice in that.
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I'm always choosing the hard things, the things that aren't easy.
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If I can go three grandmothers back and find a slave, that means someone else can go three grandmothers back and find a slave owner. When you interrogate your histories, it forces you to rethink who you are and where you are.
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You can't be limited by your own experience.
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You're your own person, and it's about you. I'm my own person, and it's about me. Everyone has their own life.
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There's a dearth of media around young black women and certainly a dearth of LGBT media for people of color.
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I want people to get from 'Pariah' that it's okay to be you and not to check a box as a parent or child.
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I've been around many different lives, many different voices. It was amazing material for a writer.