Del Shores Quotes
I came from the theatre, which had given me opportunities in television as well as a film adaptation of my second play 'Daddy's Dyin'... Who's Got The Will?' for MGM.
Quotes to Explore
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We will always make music, but Die Antwoord is... finite.
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I went to this one in Ohio, and then I became a counselor there, and it was just the most fun thing. I was so depressed when I came home from camp.
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I love the look of full brows that aren't perfectly done - eyebrows on fleek: that's the goal.
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There is no ideal body. It's just taking what you have and working it.
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I want to be in the small percentage of women who don't settle for conventional roles.
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It's something that I do every year - every Ramadan to be exact - taking an 18-hour flight back home to Malaysia from Los Angeles. I'm born and raised in Malaysia, and Ramadan and Eid has always been my favorite time of the year.
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As athletes, we all have egos, we all think we can help, and when you're not given that chance, it's hard to watch.
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My job is to put myself out there. It's beyond my control how I'm perceived.
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In order to maintain that fire for acting and capture its essence, you can't let yourself be concerned with what people have to say about you. You just can't.
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I believe in holiness and sacredness in other people. It doesn't mean that the clouds part and I see God. That's a juvenile way of thinking about it.
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I don't add any deliberate nuances to the way I sing. I've seen so much and been all over the world, but I'm glued to my roots, and that comes across.
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I had such an amazing experience on 'The Pillowman' that it was hard to think what else is going to live up to that.
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If I didn't have my profession, I think I would be sitting in a nuthouse. But I have been unceasingly at work, and this has been very healthy for me. So I had no need for therapy.
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I love an iPad game of Scrabble.
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Photography is like a moment, an instant. You need a half-second to get the photo. So it's good to capture people when they are themselves.
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When you're used to looking through a stills lens and you have to capture an emotional moment, and that picture is not moving and yet it has to have impact, I think that's the first influence on my style.
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Understanding does not cure evil, but it is a definite help, inasmuch as one can cope with a comprehensible darkness.
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I wouldn't mind being like X-Men and having the claws. I mean, I don't think they'd let me play football, but it would look cool.
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There is a very strong theatre-going tradition in Moscow. It has stayed strong.
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At best, the relationship between drama critic and playwright is a pretty twiggy affair. When I'm asked whom I write for, after the obligatory, I write only for myself, I realize that I have an imaginary circle of peers - writers and respected or savvy theatre folk, some dramatic writers and some not, some living, some long gone. . . . Often a writer is aware as he works that a certain critic is going to hate this one. . . . You don't let what a critic might say worry you or alter your work; it might even add a spark to the gleeful process of creation.
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I'm a mother, I'm a journalist, I'm an American; I'm all of those things, and it really complicates your job when you have all these things come into play.
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To whatever end. Where is the horse and the rider? Where is the horn that was blowing? They have passed like rain on the mountains. Like wind in the meadow. The days have gone down in the west. Behind the hills, into shadow. How did it come to this?
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I came from the theatre, which had given me opportunities in television as well as a film adaptation of my second play 'Daddy's Dyin'... Who's Got The Will?' for MGM.
