Denis Thatcher Quotes
Quotes to Explore
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It's a luxury to not have to just be performing with other people to have my music heard.
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I've grown up with girls that are like Precious. I've grown up with people that are like everyone that I read about in that book. And so years later, when I was given the role, I just felt a huge responsibility to show the reality of that situation and to show that we're not making it up.
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People still don't appreciate how ephemeral success is.
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I think bad politics are incredibly dangerous, so it's important to make sure that people are communicating well. Culture and morale are super important. It's best to not force it, but let it happen organically and genuinely.
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I'm not a fan of people romanticizing their loved ones in death.
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I run a charity. If my name pops up in your call ID, chances are I'm about to ask you for something - money, free ad space, your first born. So it is probably no surprise that people often don't take my calls.
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I was 25 years old when I arrived in D.C. It was just myself and two people who worked and helped me in the kitchen. I was only cooking for three people most of the time.
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For fiction, I'm not particularly nationalistic. I'm not like the Hugo Chavez of Latin American letters, you know? I want people to read good work.
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I think Delhiites know how to party, but Kolkata has people who know how to celebrate. I think that's the main difference.
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A lot of newspaper columns used to be written in a rat-a-tat-tat, fast-paced style - and they tended to be funny. They were a little relief from the grimmer, grayer parts of the newspaper, and one of the best people at doing this was Will Rogers.
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I think I would make a good spy. I can sort of be a chameleon. People don't notice me very easily. I never get recognized.
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Listening to music is such an uplifting, spiritual thing. It's far-fetched to some - I understand that. But the way dance music brings people together, it's not a big stretch from hymns.
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Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
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The biggest misconception people have about me is that when they see how young I am, they think, 'Oh, this guy must have always wanted to be in politics; his parents must have been politically connected.' I'm a finance major and always intended to go into business.
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People going into the cities for the opportunities and the towns are getting older, no young people.
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I think, ultimately, open always wins out. It wins out because you cannot lock data in; you can't lock people in. They will find a way out.
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I have so much fun because I love to meet the women who wear my shoes and meet the clients. That, to me, is the best part - getting to know the faces of the people who actually wear my shoes and getting to have a conversation with them.
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The thing that always attracted me to New York was the sense of being in a place where a lot of people had a lot of stories not unlike mine. Everybody comes from somewhere else. Everyone's got a Polish grandmother, some kind of metamorphosis in their family circumstances. That's a very big thing - the experience of not living where you started.
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Are we changing the idea of what beauty is? Let's hope so. I'm not the typical Hollywood beauty. Let's hope we're looking at the insides of people a little more.
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People plan, God laughs.
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Over the years, I've worked for and alongside the American Federation of Teachers and National Education Association. That's because I am proud of our public school teachers - including my niece who teaches down in Louisiana - just as I am proud of our nation's education system.
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More people deserted our party and we have never recovered.
