Denis Villeneuve Quotes
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I think a good director is a good listener.
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I'm learning more and more to share creativity with the crew and actors. A film crew is more powerful if you listen to them, but it does make my job more tough because I have to listen.
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I had a lot of respect for Jeremy Renner as an actor before I worked with him, because I was very impressed with what he did in 'The Hurt Locker.'
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When I was a kid, I was always going to bed creating a story, and that was the birth of filmmaking for me. I would like going to the dream-state by telling the story to someone else in my mind. That was my imaginary friend; it was an imaginary audience listening to my story.
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Each movie I make has its own heroes, and the two heroes for me in 'Arrival' are Amy Adams and Joe Walker, the editor. We worked very, very hard, and it was, by far, the longest editing process.
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I made 'Enemy' to prep myself for 'Prisoners.' I had the need to direct something smaller in English before going to Hollywood. That's the way I sold it to Warner because they asked me if I was berserk to make a movie right before.
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'2001: A Space Odyssey' is a movie that really impressed me as a teenager. And also 'Blade Runner.' And 'Close Encounters of the Third Kind' is also one of my favorites. I'm always looking for sci-fi material, and it's difficult to find original and strong material that's not just about weaponry.
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My movies are very often violent and dark, but there's a spectrum of light, and that light is coming from the women.
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I was raised with James Bond. I love James Bond movies. I would love to do a James Bond movie one day. Action is very cinematic.
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'Sicario' is about how the Western world reacts toward problems outside of its borders. Should we become monsters in order to fight the monsters? It's not about the cartels. The movie could have been set in Africa or the Middle East.
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I'm someone who thinks that the world would be a better place if there was a big middle class. I mean, middle class is peace. In a perfect world, everybody would have enough to eat and we'd be living in security. It's obvious. I'm very happy to pay my taxes and all that. I would say I'm more of a Social Democrat.
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In contradiction and paradox, you can find truth.
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The problem in cinema is that you can never predict what will happen.
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Film is pop art. It's not whether it's auteur cinema or not; that's a false distinction. Cinema is cinema.
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Cinema is an art form that is designed to go across borders. And as a filmmaker, the only way I can direct a movie is when I feel close to my culture.
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The reception for 'Enemy?' I don't care. No matter what other people think, it was important for me. I will stand for that movie, even if I stand alone.
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My home is Montreal. I will stay in Montreal and continue to make movies in Montreal. But it's also very healthy for Canadian filmmakers to work outside the country. You learn so much.
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Since I began making movies, I've always looked for screenwriters instead of going through the long and painful process of writing.
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I'm among the hardcore fans of 'Blade Runner.' 'Blade Runner' is one of my favorite movies of all time. It's a movie that is linked with my love and passion for cinema.
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In Canada, for boys, your identity is built on hockey. It's your social position; it's everything. And I was the worst hockey player of Canada.
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It's not about choosing a specific genre; that's not how I go about deciding what movies to make.
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When I think of the 1980s, the only color that comes to mind is a brown, yellowish color. I guess it's coming from my life experience, and it's melancholia and sadness and a bit of joy.
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I'm coming from a small town in Quebec where, at that time, there was no Internet, and the way to be in contact with movies were those American fan magazines like 'Fantastic Films' and 'Starlog,' and I still remember the shock, the impact of seeing the first frames, the first pictures coming out of 'Blade Runner.'
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I've always been in love with language. My favorite book is a dictionary. I have always loved words.