Denise Morrison Quotes
We are exploring creative models to pursue innovation outside the confines of our normal process, taking calculated risks and learning from them.
Quotes to Explore
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There are really two kinds of optimism. There's the complacent, Pollyanna optimism that says, 'Don't worry - everything will be just fine,' and that allows one to just lay back and do nothing about the problems around you. Then there's what we call dynamic optimism. That's an optimism based on action.
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I would not be gotten into a schoolhouse until I was eight years old. Nor did I accomplish much after I started. I doubt if I had gone to school six months in all when my father died. I was fourteen at the time.
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I've never been far from the river. I'm sort of like a Thames-nymph.
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I think you can say anybody uses anything as a gimmick. Is Adele's not having gimmicks her gimmick? It's hard to say, isn't it? Really, I think that everybody has something that people like or that's great about them.
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Honestly, since the Diane Sawyer piece, every day it's like, it's exciting to go to the mailbox... Because I get letters every day from all of these people from all over the world.
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If you're a good choice maker, you can choose the best emotional responses and choose the best new life paths, forward and upward.
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Celebrities and 'famous' people are just regular folks. I know, it's a shocking and potentially dangerous statement.
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Above all, we must avoid the pitfalls of tribalism. If we are divided among ourselves on tribal lines, we open our doors to foreign intervention and its potentially harmful consequences.
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I see the city as an organism, shaped through time by the little humans having habits and doing millions of stuff in and out of it.
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I'm just someone who marvels at God.
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Vilification on the grounds of race or religion is always wrong. There's no place for inciting hatred within our Australia society.
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Adele's like a beacon of honesty. Doesn't compromise, goes to America and she's still the same sweary cockney.
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It is key that Kansas Citians make the call as to what kind of airport they want.
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I like the gritty parts of fashion, the design, the studio, the pictures.
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I remember fear and I remember the potential of nuclear war.
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I have not been a follower of how many millions my films made or did not make.
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I was very lucky: I started acting in this highly subsidized German theater world, so there was not so much job insecurity. We had great working conditions, long rehearsal times, well paid.
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Comedy is such a vulnerable thing. With drama, you're not trying to make someone cry. If you do, great, but that's not your goal. With comedy, you're trying to make someone laugh, so to me, it's harder because you are in such a vulnerable position. You're like, 'I hope people like this. I hope I do the joke justice.'
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I'd always wanted to do a Marvel project, and I'd always imagined getting to play one of the superheroes because it's such a hard thing to get. It's the parts that only go to a few people. The flip side of that is the antagonists are pretty awesome.
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What does labor want? We want more schoolhouses and less jails; more books and less arsenals; more learning and less vice; more leisure and less greed; more justice and less revenge; in fact, more of the opportunities to cultivate our better natures.
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I totally had OCD as a teenager. I used to have to touch all four sides of a picture frame when I got home from school and before I started to do my homework. It was time-consuming. But then I just outgrew it, though it sometimes comes back when I'm under a lot of stress.
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Life is a Sisyphean race, run ever faster towards a finishing line that is merely the start of the next race.
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My job is to bring to life the character, not to put the words on the paper.
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We are exploring creative models to pursue innovation outside the confines of our normal process, taking calculated risks and learning from them.
