Vik Muniz Quotes
The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
Quotes to Explore
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When I was in college, I studied business because I thought I wanted to be a director and producer.
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I never desire to converse with a man who has written more than he has read.
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Never have I found the limits of the photographic potential. Every horizon, upon being reached, reveals another beckoning in the distance. Always, I am on the threshold.
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Everybody has to agree that the best thing we can do to start reducing the deficit in this country is to put people back to work.
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People say, 'You should let your hair out; you shouldn't be oppressed - you're not in Malaysia anymore. You should show your curves and be proud of it.' But I am proud - it's my choice to cover up my body. I'm not oppressed - I'm free.
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Throughout U.S. history, national crises have been used to suspend constitutional protections and attack basic rights. After the Civil War, with the nation in crisis, the promise of 40 acres and a mule to freed slaves was promptly betrayed.
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I'm not a big fan of doing what my mother wants me to do, like any daughter.
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I've never been the type of person to jump up and throw out the album without it being what it's supposed to be.
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Salaries and wages must reflect the reality of the enterprise's economic performance; deviations from the planned performance should be reflected in pay.
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Corruption, the greatest single bane of our society today.
Olusegun Obasanjo -
Demands for equal financing of sewers, streets, and garbage collection would make more sense than proposals for equal financing of the schools, since some plausible connection may be inferred between the amount of money expended, e.g., for roads, and the quality of service resulting to the taxpayer.
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Politics is largely a matter of heart.
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I've spent a long time avoiding painting and dealing with it from a distance. But as I get older, I'm more comfortable with it.
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I want to have an impact on my son.
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I can't do choreographed movement. It has to come from my heart... and my pelvis.
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I have a paranoia that 'Ablutions' is the best thing I'll ever do.
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During the ten years I lived in the U.K., I frequently attended an Anglican church just outside of London. I enjoyed the energetic singing and the thoughtful homilies. And yet, I found it easy to be a pew warmer, a consumer, a back row critic.
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I think my knowledge of music theory is rooted in jazz theory, and a lot of the writers of standards - Rodgers and Hart, and Gershwin.
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The poem, for me, is simply the first sound realized in the modality of being.
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Being so honest in my writing is cathartic.
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All I can say is that when I paint, I am looking at things that are in the world.
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In particular, Australia, because of its ancient geography, soil profile and distinctive weather patterns, is more adversely affected by climate variability than some other continents.
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What helps me go forward is that I stay receptive, I feel that anything can happen.
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The first time I worked with colors was by making these mosaics of Pantone swatches. They end up being very large pictures, and I photographed with a very large camera - an 8x10 camera. So you can see the surface of every single swatch - like in this picture of Chuck Close. And you have to walk very far to be able to see it.
