-
The violence of beast on beast is read As natural law, but upright man Seeks his divinity by inflicting pain.
-
I don't think there is any such thing as a black writer or a white writer. Ultimately, there is someone whom one reads.
-
I think young writers ought to be heretical.
-
I knew very early what I wanted to do, and I considered myself lucky to know that's what I wanted, even in a place like Saint Lucia where there was no publishing house and no theatre.
-
I don't think poetry has a readership anywhere, really, that's that big.
-
Individual writers have different postures, different stances, even different physical attitudes as they stand or sit over their blank paper, and in a sense, without doing it, they are crossing themselves; I mean, it's like the habit of Catholics going into water: you cross yourself before you go in.
-
I'm just a red nigger who love the sea,I had a sound colonial education,I have Dutch, nigger, and English in me,and either I'm nobody, or I'm a nation.
-
There are some things people avoid saying in interviews because they sound pompous or sentimental or too mystical.
-
Where I come from, we sing poetry.
-
The discontent that lies in the human condition is not satisfied simply by material things.
-
This is Port of Spain to me, a city ideal in its commercial and human proportions, where a citizen is a walker and not a pedestrian, and this is how Athens may have been before it became a cultural echo.
-
I grew up in a place in which, if you learned poetry, you shouted it out. Boys would scream it out and perform it and do it and flourish it.
-
My relationship to Britain is of no consequence.
-
If music goes out of language, then you are in bad trouble.
-
What was moving, I think, was the fact that the statue is a woman and not a heroic, manly figure. So for all her scale and immensity, there's something soft about the Statue of Liberty, something tender about her.
-
You would get some fantastic syntactical phenomena. You would hear people talking in Barbados in the exact melody as a minor character in Shakespeare. Because here you have a thing that was not immured and preserved and mummified, but a voluble language, very active, very swift, very sharp.
-
The personal vocabulary, the individual melody whose metre is one's biography, joins in that sound, with any luck, and the body moves like a walking, a waking island.
-
Any serious attempt to try to do something worthwhile is ritualistic.
-
The myth of Naipaul... has long been a farce.
-
If you know what you are going to write when you're writing a poem, it's going to be average.
-
The sigh of History rises over ruins, not over landscapes, and in the Antilles there are few ruins to sigh over, apart from the ruins of sugar estates and abandoned forts.
-
The painter I really thought I could learn from was Cezanne - some sort of resemblance to oranges and greens and browns of the dry season in St. Lucia.
-
We make too much of that long groan which underlines the past.
-
Sometimes what we call tragedy, at least in the theater, are really case histories. They're based on the central figure, and things happen to that person, and they're called tragedy because they're extremely sad. But tragedy always has a glorious thing happen at the end of it. That's what the catharsis is.